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Experimental, Fantasy, Venice 2013

Mary is Happy, Mary is Happy – Venice 70 Biennale College

Nawapol Thamrongrattanarit creates a truly innovative experimental films set in our digital world. What could happen if a Twitter account feed becomes real?

Drama, Romance

Teddy Bear (2012)

Ο Mads Matthiesen σκηνοθετεί μία μελαγχολική ταινία χαμηλών τόνων με μικρές δόσεις αισιοδοξίας και θετικής σκέψης.

REVIEWS

Ain’t Them Bodies Saints (2013)

A folk romantic crime saga by the emerging indie Texan filmmaker, David Lowery on the footsteps of Terence Mallick tradition.

Aquarius – Jerusalem 33

In his sophomore film, Kleber Mendonça Filho penetrates Brazilian falsely beautified society through Sônia Braga's stunning performance.

Wednesday, May 9 – Venice 72 Orizzonti

In his debut film, Vahid Jalilvand is looking for humanitarian solidarity in today’s Iranian society through the private realistic stories of two women in need.

Skammen (Shame, 1968)

Ingmar Bergman, in one of his lesser known masterpieces, de-dramatizes a war by transferring all its tragedy to Liv Ullmann, Max von Sydow and inevitably to his audience too.

Interruption – Venice 72 Orizzonti

With his directorial debut, Yorgos Zois breaks the fourth wall as he is experimenting on how myth and art interrupt actual life. Or is it the other way around?

TagThailand

Mary is Happy, Mary is Happy – Venice 70 Biennale College

Teddy Bear (2012)

Ain’t Them Bodies Saints (2013)

Aquarius – Jerusalem 33

Wednesday, May 9 – Venice 72 Orizzonti

Skammen (Shame, 1968)

Interruption – Venice 72 Orizzonti

Godard on Italian Cinema

There has always been violence in art

Bertolucci – Dreams from the Other Side

Je vais au cinéma…

Truffaut: Films are like trains