TagSatyajit Ray

It’s enough if you can make people think and feel - clearly and honestly.

Satyajit Ray

REVIEWS

Le Magnifique (The Magnificent, 1973)

The instant cult French espionage parody by Philippe de Broca with Jean-Paul Belmondo and Jacqueline Bisset.

Suntan – Jerusalem 33

Argyris Papadimitropoulos’ third feature film is a bleak and bittersweet cul-de-sac set under the glaring Aegean sun.

Zvizdan (The High Sun) – Thessaloniki 56 Balkan Survey

Dalibor Matanić makes a different post-traumatic approach of the Yugoslav wars as love has to stand in front of any inter-ethnic conflicts.

A Blast – Sarajevo 20

Syllas Tzoumerkas' sophomore feature is a powerful sociopolitical drama that juxtaposes the cynicism of the troubled Greek society while the middle-class decays internally.

Gorod Zero (Zero City, 1988)

Kafkaesque absurdity meets Soviet reality during the years of the extremely bureaucratic Perestroika in this deadpan comedy by Karen Shakhnazarov.

TagSatyajit Ray

Satyajit Ray on Cinema

Le Magnifique (The Magnificent, 1973)

Suntan – Jerusalem 33

Zvizdan (The High Sun) – Thessaloniki 56 Balkan Survey

A Blast – Sarajevo 20

Gorod Zero (Zero City, 1988)

Biće Skoro Propast Sveta (It Rains in My Village, 1968)

Grandrieux on his films

Francesco Rosi: The cinema of emotions

Cœur Fidèle vs. Boy Meets Girl

Je vais au cinéma…