TagRoy Andersson

My 2014 or 24 films by 24fpsverite

The official selection of the 24 films that marked the cinematic year of 2014.

Comedy, Drama, Fantasy, Venice 2014

A Pigeon Sat on a Branch Reflecting on Existence – Venice 71

The best finale to Roy Andersson's witty and extremely unpredictable existentialistic Living Trilogy. Golden Lion at the 71st Venice Film Festival.

REVIEWS

Sauve Qui Peut (La Vie) (Every Man for Himself, 1980)

Jean-Luc Godard explores the limits of individualism, apathy and venality as the children of Marx and Coca-Cola grew up.

Ruin – Venice 70 Orizzonti

Amiel Courtin-Wilson and Michael Cody direct an almost experimental documentary-like romantic film set in Cambodia. Special Jury Prize of 70th Venice Orizzonti section.

Antiviral (2012)

Brandon Cronenberg enjoys the affection of current pop culture towards vampirism and builds a medical horror that could easily pass by as his father's work.

Tharlo – Venice 72 Orizzonti

Pema Tseden depicts through a visually immaculate and lyrical slow burning film, how rough is to search for your own inner hidden identity.

Des Filles en Noir (Young Girls in Black, 2010)

A different coming-of-age drama directed by Jean-Paul Civeyrac and inspired by Heinrich von Kleist's poems.

TagRoy Andersson

My 2014 or 24 films by 24fpsverite

A Pigeon Sat on a Branch Reflecting on Existence – Venice 71

Sauve Qui Peut (La Vie) (Every Man for Himself, 1980)

Ruin – Venice 70 Orizzonti

Antiviral (2012)

Tharlo – Venice 72 Orizzonti

Des Filles en Noir (Young Girls in Black, 2010)

Jodorowsky’s Endless Dream

Kieślowski and the magic of screen

Żuławski on pleasing the majority

Grandrieux on his films

Antonioni on directing