TagRoy Andersson

My 2014 or 24 films by 24fpsverite

The official selection of the 24 films that marked the cinematic year of 2014.

Comedy, Drama, Fantasy, Venice 2014

A Pigeon Sat on a Branch Reflecting on Existence – Venice 71

The best finale to Roy Andersson's witty and extremely unpredictable existentialistic Living Trilogy. Golden Lion at the 71st Venice Film Festival.

REVIEWS

Bezúčelná Procházka (Aimless Walk, 1930)

Alexandr Hackenschmied directs the landmark of Czechoslovak avant-garde cinema and one of the most influential of its genre.

Pioneer Heroes (Pionery-geroi) – Berlinale 65 Panorama

The debut feature film by Natalya Kudryashova is a story of broken heroes with destroyed expectations that try to survive in a hostile and unidealistic present.

Boi Neon (Neon Bull) – Venice 72 Orizzonti

Gabriel Mascaro observes the social and cultural changes of Brazilian society as genders lose their identities and when a vaquero dreams to be a tailor.

Tharlo – Venice 72 Orizzonti

Pema Tseden depicts through a visually immaculate and lyrical slow burning film, how rough is to search for your own inner hidden identity.

Viharsarok (Land of Storms) – Sarajevo 20

A deeply emotional and visually impressive drama by Ádám Császi, that exposes the issue of homophobia in modern day Hungary.

TagRoy Andersson

My 2014 or 24 films by 24fpsverite

A Pigeon Sat on a Branch Reflecting on Existence – Venice 71

Bezúčelná Procházka (Aimless Walk, 1930)

Pioneer Heroes (Pionery-geroi) – Berlinale 65 Panorama

Boi Neon (Neon Bull) – Venice 72 Orizzonti

Tharlo – Venice 72 Orizzonti

Viharsarok (Land of Storms) – Sarajevo 20

How to make a bed

Les Amants Réguliers

David Cronenberg on Manipulation

But the cinephile is…

Herz Frank on documentarists