TagRolan Bykov

Pisma Myortvogo Cheloveka (Letters from a Dead Man, 1986)

Konstantin Lopushansky re-creates the post-apocalyptic terror of a nuclear disaster on Chernobyl's aftermath as a Stalker's flip-side.

Science Fiction

Pisma Myortvogo Cheloveka (Γράμματα Ενός Νεκρού Ανθρώπου, 1986)

Ο Konstantin Lopushansky δημιουργεί ξανά τον μετα-αποκαλυπτικό τρόμο μίας πυρινικής καταστροφής αμέσως μετά το Τσερνόμπιλ.

REVIEWS

Ja Tozhe Hochu (Me Too) – Venice 69 Orizzonti

Alexei Balabanov's last and most personal film. An adaptation on Tarkovsky's Stalker myth set in Balabanov's provocative world.

Suntan – Jerusalem 33

Argyris Papadimitropoulos’ third feature film is a bleak and bittersweet cul-de-sac set under the glaring Aegean sun.

A Blast – Sarajevo 20

Syllas Tzoumerkas' sophomore feature is a powerful sociopolitical drama that juxtaposes the cynicism of the troubled Greek society while the middle-class decays internally.

Jauja (2014)

Jodorowsky meets Tarkovsky with a touch of Beckettian minimalism in Lisandro Alonso's hypnotic meta-Western that leads Viggo Mortensen into a never-ending journey to a surreal existential void.

Ida (2013)

Paweł Pawlikowski tries to express everything that troubled 60s Poland but his aesthetic austere formalism surpasses the content.

TagRolan Bykov

Pisma Myortvogo Cheloveka (Letters from a Dead Man, 1986)

Pisma Myortvogo Cheloveka (Γράμματα Ενός Νεκρού Ανθρώπου, 1986)

Ja Tozhe Hochu (Me Too) – Venice 69 Orizzonti

Suntan – Jerusalem 33

A Blast – Sarajevo 20

Jauja (2014)

Ida (2013)

Sogni d’Oro (1981)

Jodorowsky on filmmaking

Pier Paolo Pasolini – Sesso, consolazione della miseria!

Les Amants Réguliers

Pasolini on Hope