Kreditis Limiti (Line of Credit) – Venice 71 Orizzonti
Salomé Alexi is dealing with the sensitive issue of financial crisis in the post-Soviet Georgian society seen from a female point of view.
Salomé Alexi is dealing with the sensitive issue of financial crisis in the post-Soviet Georgian society seen from a female point of view.
A visually impressive and highly emotional coming-of-age film by Naji Abu Nowar, set in the Jordanian desert just before the Arab Revolt. Orizzonti Award for Best Director at the 71st Venice Film Festival.
A sharp reenacted mockumentary by Adrian Sitaru, that watches from a humorous perspective the rightfulness to abuse people for the sake of art.
An allegorical political satire by Mohsen Makhmalbaf, that despite the initial absurdity becomes predictable and didactic in a simplistic way.
An excellent example of experimental cinema that touches the verges of lyrical poetic naturalism by Philippe Grandrieux.
Τhe controversial documentary by Gianfranco Rosi. A retired sicario is narrating his experiences working for the Mexican drug cartels.
The debut documentary film of the Italian director Pietro Marcello is a nocturnal train journey collage through the Italian landscape.
A highly narrative dramatic - romantic film by by Robin Campillo dealing with male prostitution and the trafficking of boys from the Eastern Europe in France. Winner of 70th Venice Orizzonti section.
Amiel Courtin-Wilson and Michael Cody direct an almost experimental documentary-like romantic film set in Cambodia. Special Jury Prize of 70th Venice Orizzonti section.
A new approach of the myth of Medea set in the rural countryside of the Southern California, by Andrea Pallaoro.
A typical rural kitchen sink drama in the industrialized Italian region of Veneto that now faces the economical crisis. Directed by Alessandro Rossetto.
A rather obscure and off beat thriller by Santiago Palavecino that is set contemporarily in dream and reality.