TagMatteo Lanfranchi

Comedy, Drama, Fantasy, Venice 2013

Yuri Esposito – Venice 70 Biennale College

This is the kind of comedy film that you should await from an emerging and innovative new director like Alessio Fava.

Project Genesis (2012)

Thanks to "Project Genesis" every computer will finally be able to open the door to its dreams, discovering a new dimension: a reality with no more limits and fears. Now they can only begin to live, for real.

REVIEWS

Krš (Karst) – Sarajevo 21 Documentary

An experimental journey by Vladimir Todorović that explores the inner real identities which emerge in a rough and mountainous Montenegrin landscape.

Ida (2013)

Paweł Pawlikowski tries to express everything that troubled 60s Poland but his aesthetic austere formalism surpasses the content.

Ucho (The Ear, 1970)

Karel Kachyňa directs one of the most iconic films on depicting the mentality of a totalitarian regime. Banned for 20 years in Czechoslovakia.

Sauve Qui Peut (La Vie) (Every Man for Himself, 1980)

Jean-Luc Godard explores the limits of individualism, apathy and venality as the children of Marx and Coca-Cola grew up.

Viaje – Sarajevo 21 Kinoscope

Paz Fábrega creates a low-key romantic bittersweet journey where a boy meets a girl as the time runs against them.

TagMatteo Lanfranchi

Yuri Esposito – Venice 70 Biennale College

Project Genesis (2012)

Krš (Karst) – Sarajevo 21 Documentary

Ida (2013)

Ucho (The Ear, 1970)

Sauve Qui Peut (La Vie) (Every Man for Himself, 1980)

Viaje – Sarajevo 21 Kinoscope

Kieślowski and the magic of screen

Jacques Rivette: Should filmmakers see movies?

Roberto Rossellini: Camera’s a ballpoint pen

Ingmar Bergman in Iceland

Pasolini e gli italiani