TagKonstantin Lopushansky

Pisma Myortvogo Cheloveka (Letters from a Dead Man, 1986)

Konstantin Lopushansky re-creates the post-apocalyptic terror of a nuclear disaster on Chernobyl's aftermath as a Stalker's flip-side.

Science Fiction

Pisma Myortvogo Cheloveka (Γράμματα Ενός Νεκρού Ανθρώπου, 1986)

Ο Konstantin Lopushansky δημιουργεί ξανά τον μετα-αποκαλυπτικό τρόμο μίας πυρινικής καταστροφής αμέσως μετά το Τσερνόμπιλ.

REVIEWS

Theeb (ذيب) – Venice 71 Orizzonti

A visually impressive and highly emotional coming-of-age film by Naji Abu Nowar, set in the Jordanian desert just before the Arab Revolt. Orizzonti Award for Best Director at the 71st Venice Film Festival.

Ikarie XB-1 (Voyage to the End of the Universe, 1963)

The pioneering Czechoslovak science fiction film by Jindrich Polák, based on Stanislaw Lem's The Magellanic Cloud.

Monanieba (Repentance, 1984)

Tengiz Abuladze by presenting a grotesque realism with a touch of subcutaneous self-sarcasm managed to bury all the fears that had survived for so many years in the USSR.

Dallas Buyers Club (2013)

A film of marginal pairs’ balance that move among realism and fantasy, hope and disillusionment, justice and injustice, heterosexuality and homosexuality, AIDS and life.

Kreditis Limiti (Line of Credit) – Venice 71 Orizzonti

Salomé Alexi is dealing with the sensitive issue of financial crisis in the post-Soviet Georgian society seen from a female point of view.

TagKonstantin Lopushansky

Pisma Myortvogo Cheloveka (Letters from a Dead Man, 1986)

Pisma Myortvogo Cheloveka (Γράμματα Ενός Νεκρού Ανθρώπου, 1986)

Theeb (ذيب) – Venice 71 Orizzonti

Ikarie XB-1 (Voyage to the End of the Universe, 1963)

Monanieba (Repentance, 1984)

Dallas Buyers Club (2013)

Kreditis Limiti (Line of Credit) – Venice 71 Orizzonti

A cinephile’s wish

Jodorowsky’s Endless Dream

Pasolini e gli italiani

Les Amants Réguliers

Ingmar Bergman in Iceland