TagJindřich Polák

Ikarie XB-1 (Voyage to the End of the Universe, 1963)

The pioneering Czechoslovak science fiction film by Jindrich Polák, based on Stanislaw Lem's The Magellanic Cloud.

REVIEWS

Marécages (Wetlands, 2011)

Α highly realistic kitchen sink drama of a family's dissolution set in the rural isolated environment of Quebec's Wetlands. Debut feature film by Guy Édoin.

Pisma Myortvogo Cheloveka (Letters from a Dead Man, 1986)

Konstantin Lopushansky re-creates the post-apocalyptic terror of a nuclear disaster on Chernobyl's aftermath as a Stalker's flip-side.

Interruption – Venice 72 Orizzonti

With his directorial debut, Yorgos Zois breaks the fourth wall as he is experimenting on how myth and art interrupt actual life. Or is it the other way around?

Klip (Clip, 2012)

Maja Miloš in her debut film is trying to visualize, through a perverse adolescent love, a without makeup reality that was created in a plastic and fake world.

Beli, Beli Svet (White, White World, 2010)

A low-voiced drama of characters by Oleg Novković a that follows a theatrical austerity and the dramatic Balkan musicals.

TagJindřich Polák

Ikarie XB-1 (Voyage to the End of the Universe, 1963)

Marécages (Wetlands, 2011)

Pisma Myortvogo Cheloveka (Letters from a Dead Man, 1986)

Interruption – Venice 72 Orizzonti

Klip (Clip, 2012)

Beli, Beli Svet (White, White World, 2010)

Les Amants Réguliers

Alain Robbe-Grillet: What is Formalism?

Federico Fellini & James Bond

Chris Marker on time

Béla Tarr on Filmmaking