TagJames Cameron

Avatar (2009)

Η επιστροφή του James Cameron εγκαινιάζει την 3D εποχή με μία όμως συντηρητική οπτική στο είδος βασιζόμενη σε ένα σχηματικό και κενοφανές σενάριο.

REVIEWS

Ain’t Them Bodies Saints (2013)

A folk romantic crime saga by the emerging indie Texan filmmaker, David Lowery on the footsteps of Terence Mallick tradition.

Ana Yurdu (Motherland) – Thessaloniki 56 Balkan Survey

Senem Tüzen explores if Motherland could be the place of reconciliation of past and present in an ongoing love-hate relationship between a mother and her daughter.

Ikarie XB-1 (Voyage to the End of the Universe, 1963)

The pioneering Czechoslovak science fiction film by Jindrich Polák, based on Stanislaw Lem's The Magellanic Cloud.

Mary is Happy, Mary is Happy – Venice 70 Biennale College

Nawapol Thamrongrattanarit creates a truly innovative experimental films set in our digital world. What could happen if a Twitter account feed becomes real?

Kreditis Limiti (Line of Credit) – Venice 71 Orizzonti

Salomé Alexi is dealing with the sensitive issue of financial crisis in the post-Soviet Georgian society seen from a female point of view.

TagJames Cameron

Avatar (2009)

Ain’t Them Bodies Saints (2013)

Ana Yurdu (Motherland) – Thessaloniki 56 Balkan Survey

Ikarie XB-1 (Voyage to the End of the Universe, 1963)

Mary is Happy, Mary is Happy – Venice 70 Biennale College

Kreditis Limiti (Line of Credit) – Venice 71 Orizzonti

those lacking imagination

Les Amants Réguliers

Jafar Panahi: I don’t like political movies.

Herz Frank on documentarists

Kieślowski and the magic of screen