TagHarun Farocki

Drama

Gespenster (Φαντάσματα, 2005)

Το δεύτερο μέρος της Τριλογία του Christian Petzold κινείται στα όρια του ονειρικού ψυχολογικού ρεαλισμού και παίζει πάντα ανάμεσα στην αλήθεια και το φανταστικό.

REVIEWS

Sobytie (The Event) – Tallinn 19 Docs

Sergei Loznitsa investigates the events that took place in Leningrad, after a failed coup d’état and marked Soviet Union's end, by creating a grainy prequel of his previous doc, Maidan.

Wednesday, May 9 – Venice 72 Orizzonti

In his debut film, Vahid Jalilvand is looking for humanitarian solidarity in today’s Iranian society through the private realistic stories of two women in need.

Bezúčelná Procházka (Aimless Walk, 1930)

Alexandr Hackenschmied directs the landmark of Czechoslovak avant-garde cinema and one of the most influential of its genre.

The Act of Killing (2012)

Joshua Oppenheimer creates a multilayered documentary that explores the Indonesian massacres by blending fiction with reality, the present with the past and surrealism with true horror.

Pisma Myortvogo Cheloveka (Letters from a Dead Man, 1986)

Konstantin Lopushansky re-creates the post-apocalyptic terror of a nuclear disaster on Chernobyl's aftermath as a Stalker's flip-side.

TagHarun Farocki

Gespenster (Φαντάσματα, 2005)

Sobytie (The Event) – Tallinn 19 Docs

Wednesday, May 9 – Venice 72 Orizzonti

Bezúčelná Procházka (Aimless Walk, 1930)

The Act of Killing (2012)

Pisma Myortvogo Cheloveka (Letters from a Dead Man, 1986)

The Meaning of Cinema by Andrei Tarkovsky

A cinephile’s wish

Roberto Rossellini: Camera’s a ballpoint pen

Federico Fellini & James Bond

Grandrieux on his films