TagGian Maria Volonté

Gian Maria Volonté: Ogni film è politico

Ogni film, ogni spettacolo, è generalmente politico.

Gian Maria Volonté

REVIEWS

Sobytie (The Event) – Tallinn 19 Docs

Sergei Loznitsa investigates the events that took place in Leningrad, after a failed coup d’état and marked Soviet Union's end, by creating a grainy prequel of his previous doc, Maidan.

La Mort de Louis XIV (The Death of Louis XIV) – Jerusalem 33

Albert Serra’s cinema once again reaches the boundaries of experimentalism as he explores the historic figure (and death) of Louis XIV. Wilf Family Foundation Award at the 33rd Jerusalem International Film Festival.

Krš (Karst) – Sarajevo 21 Documentary

An experimental journey by Vladimir Todorović that explores the inner real identities which emerge in a rough and mountainous Montenegrin landscape.

A Quintet – Friend Request – Sarajevo 20

Friend Request is trying to deal in the most detached way with the unsolved and crucial problems that the Middle East faces.

Love, Theft and Other Entanglements – Berlinale 65 Panorama

A simple story of a simple anti-hero who tries to fix his almost destined troubled life in Palestine. Debut feature film by Muayad Alayan.

QUOTES

Pasolini: L’anarchia del potere

Nulla è più anarchico del potere, il potere fa praticamente ciò che vuole

David Cronenberg on Manipulation

David Cronenberg on Manipulation

Francesco Rosi: The cinema of emotions

The language of the image is emotion.

Sogni d’Oro (1981)

Directed by Nanni Moretti

I don’t like the word success

For me, success means attaining something I'd really like. That's success.