TagDziga Vertov

I'm an eye. A mechanical eye. I, the machine, show you a world the way only I can see it.

Dziga Vertov

REVIEWS

La Maldad (Evilness) – Berlinale 65 Forum

Mexico's most troubled political period is blended with traces of poetry and Carlos Reygadas' essence, when betrayal surpasses love in Joshua Gil's debut feature film.

Pisma Myortvogo Cheloveka (Letters from a Dead Man, 1986)

Konstantin Lopushansky re-creates the post-apocalyptic terror of a nuclear disaster on Chernobyl's aftermath as a Stalker's flip-side.

Love, Theft and Other Entanglements – Berlinale 65 Panorama

A simple story of a simple anti-hero who tries to fix his almost destined troubled life in Palestine. Debut feature film by Muayad Alayan.

Tharlo – Venice 72 Orizzonti

Pema Tseden depicts through a visually immaculate and lyrical slow burning film, how rough is to search for your own inner hidden identity.

Ida (2013)

Paweł Pawlikowski tries to express everything that troubled 60s Poland but his aesthetic austere formalism surpasses the content.

TagDziga Vertov

Dziga Vertov’s Eye

La Maldad (Evilness) – Berlinale 65 Forum

Pisma Myortvogo Cheloveka (Letters from a Dead Man, 1986)

Love, Theft and Other Entanglements – Berlinale 65 Panorama

Tharlo – Venice 72 Orizzonti

Ida (2013)

Pier Paolo Pasolini – Sesso, consolazione della miseria!

Kieślowski and the magic of screen

How to make a bed

Monicelli: The elements of Italian comedy

Béla Tarr on Filmmaking