TagAmiel Courtin-Wilson

Documentary, Experimental, Romance, Venice 2013

Ruin – Venice 70 Orizzonti

Amiel Courtin-Wilson and Michael Cody direct an almost experimental documentary-like romantic film set in Cambodia. Special Jury Prize of 70th Venice Orizzonti section.

REVIEWS

Skammen (Shame, 1968)

Ingmar Bergman, in one of his lesser known masterpieces, de-dramatizes a war by transferring all its tragedy to Liv Ullmann, Max von Sydow and inevitably to his audience too.

Ana Yurdu (Motherland) – Thessaloniki 56 Balkan Survey

Senem Tüzen explores if Motherland could be the place of reconciliation of past and present in an ongoing love-hate relationship between a mother and her daughter.

Fuoco! (Fire!, 1968)

Gian Vittorio Baldi directs a piece of art that through its consistency can work on political and dramaturgical level without losing its impactful realism.

Mary is Happy, Mary is Happy – Venice 70 Biennale College

Nawapol Thamrongrattanarit creates a truly innovative experimental films set in our digital world. What could happen if a Twitter account feed becomes real?

Über die Jahre (Over the Years) – Sarajevo 21 Documentary

Nikolaus Geyrhalter creates his magnum opus as he observes the financial and personal downfall of the rural post-industrial Austria during an extended 10-year period.

TagAmiel Courtin-Wilson

Ruin – Venice 70 Orizzonti

Skammen (Shame, 1968)

Ana Yurdu (Motherland) – Thessaloniki 56 Balkan Survey

Fuoco! (Fire!, 1968)

Mary is Happy, Mary is Happy – Venice 70 Biennale College

Über die Jahre (Over the Years) – Sarajevo 21 Documentary

I don’t like the word success

Pier Paolo Pasolini – Sesso, consolazione della miseria!

La Haine vs. Scarface

John Cassavetes on Art

But the cinephile is…