TagAlexei Balabanov

Science Fiction, Venice 2012

Ja Tozhe Hochu (Me Too) – Venice 69 Orizzonti

Alexei Balabanov's last and most personal film. An adaptation on Tarkovsky's Stalker myth set in Balabanov's provocative world.

Science Fiction, Venice 2012

Ja Tozhe Hochu (Θέλω και Εγώ) – Venice 69 Orizzonti

Η τελευταία και απόλυτα προσωπική ταινία του Alexei Balabanov του πιο προκλητικά σύγχρονου Ρώσου σκηνοθέτη.

REVIEWS

Kaigenrei (Coup D’État, 1973)

The third and final film of Yoshishige Yoshida's political trilogy that marked the Japanese New Wave.

Ana Yurdu (Motherland) – Thessaloniki 56 Balkan Survey

Senem Tüzen explores if Motherland could be the place of reconciliation of past and present in an ongoing love-hate relationship between a mother and her daughter.

Až do Mesta Aš (Made in Ash) – Torino 30

Iveta Grófová depicts the bleak life in Bohemia that has gradually become Germany's poor man's Thailand.

Hrútar (Rams) – Thessaloniki 56

Grímur Hákonarson creates a wry subtle tragicomedy set in the rural Icelandic landscape that feels exceptionally heart-warming while touches the verges of melancholic sarcasm. Golden Alexander at the 56th Thessaloniki Film Festival.

La Mort de Louis XIV (The Death of Louis XIV) – Jerusalem 33

Albert Serra’s cinema once again reaches the boundaries of experimentalism as he explores the historic figure (and death) of Louis XIV. Wilf Family Foundation Award at the 33rd Jerusalem International Film Festival.

TagAlexei Balabanov

Ja Tozhe Hochu (Me Too) – Venice 69 Orizzonti

Ja Tozhe Hochu (Θέλω και Εγώ) – Venice 69 Orizzonti

Kaigenrei (Coup D’État, 1973)

Ana Yurdu (Motherland) – Thessaloniki 56 Balkan Survey

Až do Mesta Aš (Made in Ash) – Torino 30

Hrútar (Rams) – Thessaloniki 56

La Mort de Louis XIV (The Death of Louis XIV) – Jerusalem 33

Je vais au cinéma…

John Cassavetes: I am here and I don’t know why

those lacking imagination

Jodorowsky on filmmaking

Les Amants Réguliers