TagAleksandr Mosin

Science Fiction, Venice 2012

Ja Tozhe Hochu (Me Too) – Venice 69 Orizzonti

Alexei Balabanov's last and most personal film. An adaptation on Tarkovsky's Stalker myth set in Balabanov's provocative world.

Science Fiction, Venice 2012

Ja Tozhe Hochu (Θέλω και Εγώ) – Venice 69 Orizzonti

Η τελευταία και απόλυτα προσωπική ταινία του Alexei Balabanov του πιο προκλητικά σύγχρονου Ρώσου σκηνοθέτη.

REVIEWS

Boy Meets Girl (1984)

The first masterfully structured abstract elegiac work by Leos Carax as he becomes French cinema's most acknowledged enfant terrible.

The Look of Silence – Venice 71

Joshua Oppenheimer's second strikingly profound and captivating documentary looks straight into the horror of Indonesia’s hidden past.

Perfect Sense (2011)

A dysfunctional dramatic romance which takes place in an apocalyptic dystopic period directed by David Mackenzie.

Klip (Clip, 2012)

Maja Miloš in her debut film is trying to visualize, through a perverse adolescent love, a without makeup reality that was created in a plastic and fake world.

Force of Evil (1948)

Abrahams Polonsky suggests that entrepreneurship is not so far away from criminality and that something is corrupted in the immaculate postwar American society.

TagAleksandr Mosin

Ja Tozhe Hochu (Me Too) – Venice 69 Orizzonti

Ja Tozhe Hochu (Θέλω και Εγώ) – Venice 69 Orizzonti

Boy Meets Girl (1984)

The Look of Silence – Venice 71

Perfect Sense (2011)

Klip (Clip, 2012)

Force of Evil (1948)

Roberto Rossellini: Camera’s a ballpoint pen

Leos Carax and his island

Cœur Fidèle vs. Boy Meets Girl

Godard on Italian Cinema

Sogni d’Oro (1981)