TagAleksandar Petrovič

Biće Skoro Propast Sveta (It Rains in My Village, 1968)

Directed by Aleksandar Petrovič

Drama

Skupljači Perja (Συνάντησα κι Ευτυχισμένους Τσιγγάνους, 1967)

Ο Aleksandar Petrovič δημιουργεί μία από τις πιο επιδραστικές ταινίες στην ιστορία του Γιουγκοσλάβικου κινηματογράφου και την πρώτη που ασχολείται με τους Ρομά.

REVIEWS

Krš (Karst) – Sarajevo 21 Documentary

An experimental journey by Vladimir Todorović that explores the inner real identities which emerge in a rough and mountainous Montenegrin landscape.

Tôkyô Sensô Sengo Hiwa (The Man Who Left His Will on Film, 1970)

Nagisha Ôshima is performing a requiem for Japanese New Wave and he is covering everything, from the sociopolitical changes till his own alienation that he feels as an artist.

Interruption – Venice 72 Orizzonti

With his directorial debut, Yorgos Zois breaks the fourth wall as he is experimenting on how myth and art interrupt actual life. Or is it the other way around?

Marécages (Wetlands, 2011)

Α highly realistic kitchen sink drama of a family's dissolution set in the rural isolated environment of Quebec's Wetlands. Debut feature film by Guy Édoin.

Deniz Gamze Ergüven creates a "joyful" feministic fairytale that explores if teen rebelliousness and sexual awareness can survive in conservative Anatolia. Heart of Sarajevo for Best Feature Film at the 21st Sarajevo Film Festival.

TagAleksandar Petrovič

Biće Skoro Propast Sveta (It Rains in My Village, 1968)

Skupljači Perja (Συνάντησα κι Ευτυχισμένους Τσιγγάνους, 1967)

Krš (Karst) – Sarajevo 21 Documentary

Tôkyô Sensô Sengo Hiwa (The Man Who Left His Will on Film, 1970)

Interruption – Venice 72 Orizzonti

Marécages (Wetlands, 2011)

Mustang – Sarajevo 21

Alain Robbe-Grillet: What is Formalism?

Gian Maria Volonté: Ogni film è politico

Grandrieux on his films

Antonioni on Vitti

Pasolini e gli italiani