TV vs. Cinema by Jean-Luc Godard

La télévision fabrique de l’oubli. Le cinéma fabrique des souvenirs.

Jean-Luc Godard

France Jean-Luc Godard

The Author Vassilis Economou

Freelance film critic and hardcore cinephile.

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REVIEWS

Marécages (Wetlands, 2011)

Α highly realistic kitchen sink drama of a family's dissolution set in the rural isolated environment of Quebec's Wetlands. Debut feature film by Guy Édoin.

Ikarie XB-1 (Voyage to the End of the Universe, 1963)

The pioneering Czechoslovak science fiction film by Jindrich Polák, based on Stanislaw Lem's The Magellanic Cloud.

Viaje – Sarajevo 21 Kinoscope

Paz Fábrega creates a low-key romantic bittersweet journey where a boy meets a girl as the time runs against them.

Ixcanul Volcano – Berlinale 65

A low key coming-of-age drama that stands between the local Mayan traditions and their bleak impoverished lives. Debut feature film by Jayro Bustamante.

Force of Evil (1948)

Abrahams Polonsky suggests that entrepreneurship is not so far away from criminality and that something is corrupted in the immaculate postwar American society.

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The Author Vassilis Economou

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Marécages (Wetlands, 2011)

Ikarie XB-1 (Voyage to the End of the Universe, 1963)

Viaje – Sarajevo 21 Kinoscope

Ixcanul Volcano – Berlinale 65

Force of Evil (1948)

Roberto Rossellini: Camera’s a ballpoint pen

Gian Maria Volonté: Ogni film è politico

Jodorowsky on filmmaking

Jafar Panahi: I don’t like political movies.

Les Amants Réguliers

TV vs. Cinema by Jean-Luc Godard

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The Author Vassilis Economou

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