Béla Tarr on Filmmaking

I don’t want to be a stupid filmmaker who is just repeating himself

Béla Tarr

Béla Tarr Hungary

The Author Vassilis Economou

Freelance film critic and hardcore cinephile.

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REVIEWS

I.D. – Torino 30

The debut film by the Indian director Kamal K.M. where the drama of a lost identity meets a bleak thriller in both worlds of modern Mumbai.

La Maldad (Evilness) – Berlinale 65 Forum

Mexico's most troubled political period is blended with traces of poetry and Carlos Reygadas' essence, when betrayal surpasses love in Joshua Gil's debut feature film.

Eastern Boys – Venice 70 Orizzonti

A highly narrative dramatic - romantic film by by Robin Campillo dealing with male prostitution and the trafficking of boys from the Eastern Europe in France. Winner of 70th Venice Orizzonti section.

Sauve Qui Peut (La Vie) (Every Man for Himself, 1980)

Jean-Luc Godard explores the limits of individualism, apathy and venality as the children of Marx and Coca-Cola grew up.

Marionette (2007)

Minos Nikolakakis creates a dark minimalistic tale that comes closer to reality or a dark reality that touches the edges of chilling fantasy.

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The Author Vassilis Economou

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I.D. – Torino 30

La Maldad (Evilness) – Berlinale 65 Forum

Eastern Boys – Venice 70 Orizzonti

Sauve Qui Peut (La Vie) (Every Man for Himself, 1980)

Marionette (2007)

Jodorowsky’s Endless Dream

I don’t like the word success

Pasolini: L’anarchia del potere

Pasolini on Hope

Jodorowsky on filmmaking

Béla Tarr on Filmmaking

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The Author Vassilis Economou

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