Tôkyô Sensô Sengo Hiwa (The Man Who Left His Will on Film, 1970)
Nagisha Ôshima is performing a requiem for Japanese New Wave and he is covering everything, from the sociopolitical changes till his own alienation that he feels as an artist.
CategoryReviews
Kaigenrei (Coup D’État, 1973)
The third and final film of Yoshishige Yoshida's political trilogy that marked the Japanese New Wave.
Ja Tozhe Hochu (Me Too) – Venice 69 Orizzonti
Alexei Balabanov's last and most personal film. An adaptation on Tarkovsky's Stalker myth set in Balabanov's provocative world.
Des Filles en Noir (Young Girls in Black, 2010)
A different coming-of-age drama directed by Jean-Paul Civeyrac and inspired by Heinrich von Kleist's poems.
Perfect Sense (2011)
A dysfunctional dramatic romance which takes place in an apocalyptic dystopic period directed by David Mackenzie.
Beli, Beli Svet (White, White World, 2010)
A low-voiced drama of characters by Oleg Novković a that follows a theatrical austerity and the dramatic Balkan musicals.