Pisma Myortvogo Cheloveka (Letters from a Dead Man, 1986)
Konstantin Lopushansky re-creates the post-apocalyptic terror of a nuclear disaster on Chernobyl's aftermath as a Stalker's flip-side.
Konstantin Lopushansky re-creates the post-apocalyptic terror of a nuclear disaster on Chernobyl's aftermath as a Stalker's flip-side.
Vassily Sigarev's debut feature is a raw violent drama of the destructive relationship between a mother and her daughter. A masterpiece of the Russian New Drama.
Alexandr Hackenschmied directs the landmark of Czechoslovak avant-garde cinema and one of the most influential of its genre.
A tragic romantic story set in the immense Russian steppe. A theatrical experience told by Ivan Vyrypaev in pure cinematic language.
Salomé Alexi is dealing with the sensitive issue of financial crisis in the post-Soviet Georgian society seen from a female point of view.
Gian Vittorio Baldi directs a piece of art that through its consistency can work on political and dramaturgical level without losing its impactful realism.
A visually impressive and highly emotional coming-of-age film by Naji Abu Nowar, set in the Jordanian desert just before the Arab Revolt. Orizzonti Award for Best Director at the 71st Venice Film Festival.
A sharp reenacted mockumentary by Adrian Sitaru, that watches from a humorous perspective the rightfulness to abuse people for the sake of art.
Joshua Oppenheimer's second strikingly profound and captivating documentary looks straight into the horror of Indonesia’s hidden past.
The best finale to Roy Andersson's witty and extremely unpredictable existentialistic Living Trilogy. Golden Lion at the 71st Venice Film Festival.
An allegorical political satire by Mohsen Makhmalbaf, that despite the initial absurdity becomes predictable and didactic in a simplistic way.
Friend Request is trying to deal in the most detached way with the unsolved and crucial problems that the Middle East faces.