Kreditis Limiti (Line of Credit) – Venice 71 Orizzonti
Salomé Alexi is dealing with the sensitive issue of financial crisis in the post-Soviet Georgian society seen from a female point of view.
71st Venice Film Festival
27 August – 6 September 2014
Salomé Alexi is dealing with the sensitive issue of financial crisis in the post-Soviet Georgian society seen from a female point of view.
A visually impressive and highly emotional coming-of-age film by Naji Abu Nowar, set in the Jordanian desert just before the Arab Revolt. Orizzonti Award for Best Director at the 71st Venice Film Festival.
A sharp reenacted mockumentary by Adrian Sitaru, that watches from a humorous perspective the rightfulness to abuse people for the sake of art.
Joshua Oppenheimer's second strikingly profound and captivating documentary looks straight into the horror of Indonesia’s hidden past.
The best finale to Roy Andersson's witty and extremely unpredictable existentialistic Living Trilogy. Golden Lion at the 71st Venice Film Festival.
An allegorical political satire by Mohsen Makhmalbaf, that despite the initial absurdity becomes predictable and didactic in a simplistic way.