Zvizdan (The High Sun) – Thessaloniki 56 Balkan Survey
Dalibor Matanić makes a different post-traumatic approach of the Yugoslav wars as love has to stand in front of any inter-ethnic conflicts.
56th Thessaloniki Film Festival
6 – 15 November 2015
Dalibor Matanić makes a different post-traumatic approach of the Yugoslav wars as love has to stand in front of any inter-ethnic conflicts.
Senem Tüzen explores if Motherland could be the place of reconciliation of past and present in an ongoing love-hate relationship between a mother and her daughter.
An in-depth interview with Thessaloniki's Balkan Survey programmer Dimitris Kerkinos in order to discover if the Balkan Cinema really exists.
Grímur Hákonarson creates a wry subtle tragicomedy set in the rural Icelandic landscape that feels exceptionally heart-warming while touches the verges of melancholic sarcasm. Golden Alexander at the 56th Thessaloniki Film Festival.
With his directorial debut, Yorgos Zois breaks the fourth wall as he is experimenting on how myth and art interrupt actual life. Or is it the other way around?
Gabriel Mascaro observes the social and cultural changes of Brazilian society as genders lose their identities and when a vaquero dreams to be a tailor.
Athina Rachel Tsangari tries to find Who’s the Best in General with a deadpan odd satire that dismantles masculinity and makes Greek Weird Wave to go feel-good. Special Jury Mention at the 21st Sarajevo Film Festival.
László Nemes masterfully recreates a Holocaust Inferno where you can’t escape and the only way to survive is through death. Special Jury Prize at the 21st Sarajevo Film Festival.
Deniz Gamze Ergüven creates a "joyful" feministic fairytale that explores if teen rebelliousness and sexual awareness can survive in conservative Anatolia. Heart of Sarajevo for Best Feature Film at the 21st Sarajevo Film Festival.
A low key coming-of-age drama that stands between the local Mayan traditions and their bleak impoverished lives. Debut feature film by Jayro Bustamante.