TagYorgos Zois

Drama, Experimental, Thessaloniki 2015, Venice 2015

Interruption – Venice 72 Orizzonti

With his directorial debut, Yorgos Zois breaks the fourth wall as he is experimenting on how myth and art interrupt actual life. Or is it the other way around?

REVIEWS

Ain’t Them Bodies Saints (2013)

A folk romantic crime saga by the emerging indie Texan filmmaker, David Lowery on the footsteps of Terence Mallick tradition.

Elena (2011)

The Revelation according to Andrei Zvyagintsev doesn’t come after a terrifying future event. It is the already present moral collapse that will bring the inevitable catastrophe.

Poziția Copilului (Child’s Pose, 2013)

Calin Peter Netzer directs a powerful family drama of characters under Romania's post-communist corrupted society. Golden Bear at the 63rd Berlin Film Festival.

Sauve Qui Peut (La Vie) (Every Man for Himself, 1980)

Jean-Luc Godard explores the limits of individualism, apathy and venality as the children of Marx and Coca-Cola grew up.

Monanieba (Repentance, 1984)

Tengiz Abuladze by presenting a grotesque realism with a touch of subcutaneous self-sarcasm managed to bury all the fears that had survived for so many years in the USSR.

TagYorgos Zois

Interruption – Venice 72 Orizzonti

Ain’t Them Bodies Saints (2013)

Elena (2011)

Poziția Copilului (Child’s Pose, 2013)

Sauve Qui Peut (La Vie) (Every Man for Himself, 1980)

Monanieba (Repentance, 1984)

TV vs. Cinema by Jean-Luc Godard

Pier Paolo Pasolini – Sesso, consolazione della miseria!

Antonioni on directing

Godard on Italian Cinema

How to make a bed