TagVlastimil Brodský

Rozmarné Léto (Ένα Καπρίτσιο το Καλοκαίρι, 1967)

Η δεύτερη ταινία του Jiri Menzel είναι μία ποιητική ρομαντική κωμωδία που διατηρεί τα υποδόρια στοιχεία μιας πολιτικής αλληγορίας.

REVIEWS

Love, Theft and Other Entanglements – Berlinale 65 Panorama

A simple story of a simple anti-hero who tries to fix his almost destined troubled life in Palestine. Debut feature film by Muayad Alayan.

Beli, Beli Svet (White, White World, 2010)

A low-voiced drama of characters by Oleg Novković a that follows a theatrical austerity and the dramatic Balkan musicals.

I.D. – Torino 30

The debut film by the Indian director Kamal K.M. where the drama of a lost identity meets a bleak thriller in both worlds of modern Mumbai.

Ja Tozhe Hochu (Me Too) – Venice 69 Orizzonti

Alexei Balabanov's last and most personal film. An adaptation on Tarkovsky's Stalker myth set in Balabanov's provocative world.

Fuoco! (Fire!, 1968)

Gian Vittorio Baldi directs a piece of art that through its consistency can work on political and dramaturgical level without losing its impactful realism.

TagVlastimil Brodský

Rozmarné Léto (Ένα Καπρίτσιο το Καλοκαίρι, 1967)

Love, Theft and Other Entanglements – Berlinale 65 Panorama

Beli, Beli Svet (White, White World, 2010)

I.D. – Torino 30

Ja Tozhe Hochu (Me Too) – Venice 69 Orizzonti

Fuoco! (Fire!, 1968)

John Cassavetes: I am here and I don’t know why

The Meaning of Cinema by Andrei Tarkovsky

Jacques Rivette: Should filmmakers see movies?

Gian Maria Volonté: Ogni film è politico

Solitudine (1966)