TagTribeca Film Festival

Få Meg På, For Faen (Άναψέ Με, 2011)

Με μία τολμηρή, γλυκιά αλλά και φρέσκια ματιά η Jannicke Systad Jacobsen απεικονίζει με χιούμορ το σεξουαλικό coming-of-age στην Νορβηγική επαρχία.

REVIEWS

Ain’t Them Bodies Saints (2013)

A folk romantic crime saga by the emerging indie Texan filmmaker, David Lowery on the footsteps of Terence Mallick tradition.

Monanieba (Repentance, 1984)

Tengiz Abuladze by presenting a grotesque realism with a touch of subcutaneous self-sarcasm managed to bury all the fears that had survived for so many years in the USSR.

Wednesday, May 9 – Venice 72 Orizzonti

In his debut film, Vahid Jalilvand is looking for humanitarian solidarity in today’s Iranian society through the private realistic stories of two women in need.

Italian Gangsters – Venice 72 Orizzonti

Renato De Maria creates an unconventional and extremely minimalistic dramatized documentary that explores the most violent thirty-year criminal period of post-war Italy.

Medeas – Venice 70 Orizzonti

A new approach of the myth of Medea set in the rural countryside of the Southern California, by Andrea Pallaoro.

TagTribeca Film Festival

Få Meg På, For Faen (Άναψέ Με, 2011)

Ain’t Them Bodies Saints (2013)

Monanieba (Repentance, 1984)

Wednesday, May 9 – Venice 72 Orizzonti

Italian Gangsters – Venice 72 Orizzonti

Medeas – Venice 70 Orizzonti

Introduction to Faces by John Cassavetes

Jodorowsky on filmmaking

Cœur Fidèle vs. Boy Meets Girl

Gian Maria Volonté: Ogni film è politico

Solitudine (1966)