TagSwitzerland

Prix Suisse by Jean-Luc Godard

It's very strange to give a Swiss cinema award, because there is no Swiss Cinema.

Sauve Qui Peut (La Vie) (Every Man for Himself, 1980)

Jean-Luc Godard explores the limits of individualism, apathy and venality as the children of Marx and Coca-Cola grew up.

Adieu au Langage Screenshots

Adieu au Langage Shooting and First Screenshots

Experimental, Politics

Sauve Qui Peut (La Vie) (Ο Σώζον Εαυτόν Σωθήτω, 1980)

Ο Jean-Luc Godard εξερευνά τα όρια του ατομισμού, της απάθειας και της παραδοπιστίας καθώς τα παιδία του Μαρξ και της Coca-Cola μεγάλωσαν.

REVIEWS

Marécages (Wetlands, 2011)

Α highly realistic kitchen sink drama of a family's dissolution set in the rural isolated environment of Quebec's Wetlands. Debut feature film by Guy Édoin.

Un Lac (A Lake, 2008)

An excellent example of experimental cinema that touches the verges of lyrical poetic naturalism by Philippe Grandrieux.

A Pigeon Sat on a Branch Reflecting on Existence – Venice 71

The best finale to Roy Andersson's witty and extremely unpredictable existentialistic Living Trilogy. Golden Lion at the 71st Venice Film Festival.

Antiviral (2012)

Brandon Cronenberg enjoys the affection of current pop culture towards vampirism and builds a medical horror that could easily pass by as his father's work.

Ain’t Them Bodies Saints (2013)

A folk romantic crime saga by the emerging indie Texan filmmaker, David Lowery on the footsteps of Terence Mallick tradition.

TagSwitzerland

Prix Suisse by Jean-Luc Godard

Sauve Qui Peut (La Vie) (Every Man for Himself, 1980)

Adieu au Langage Screenshots

Sauve Qui Peut (La Vie) (Ο Σώζον Εαυτόν Σωθήτω, 1980)

Marécages (Wetlands, 2011)

Un Lac (A Lake, 2008)

A Pigeon Sat on a Branch Reflecting on Existence – Venice 71

Antiviral (2012)

Ain’t Them Bodies Saints (2013)

Les Amants Réguliers

Gian Maria Volonté: Ogni film è politico

Grandrieux on his films

Ingmar Bergman’s Dreams

Leos Carax and his island