TagSwitzerland

Prix Suisse by Jean-Luc Godard

It's very strange to give a Swiss cinema award, because there is no Swiss Cinema.

Sauve Qui Peut (La Vie) (Every Man for Himself, 1980)

Jean-Luc Godard explores the limits of individualism, apathy and venality as the children of Marx and Coca-Cola grew up.

Adieu au Langage Screenshots

Adieu au Langage Shooting and First Screenshots

Experimental, Politics

Sauve Qui Peut (La Vie) (Ο Σώζον Εαυτόν Σωθήτω, 1980)

Ο Jean-Luc Godard εξερευνά τα όρια του ατομισμού, της απάθειας και της παραδοπιστίας καθώς τα παιδία του Μαρξ και της Coca-Cola μεγάλωσαν.

REVIEWS

Am Himmel Der Tag (Breaking Horizons) – Torino 30

A true contemporary film by Pola Beck which examines real issues that the 20-something generation faces today.

A Blast – Sarajevo 20

Syllas Tzoumerkas' sophomore feature is a powerful sociopolitical drama that juxtaposes the cynicism of the troubled Greek society while the middle-class decays internally.

Viharsarok (Land of Storms) – Sarajevo 20

A deeply emotional and visually impressive drama by Ádám Császi, that exposes the issue of homophobia in modern day Hungary.

Tôkyô Sensô Sengo Hiwa (The Man Who Left His Will on Film, 1970)

Nagisha Ôshima is performing a requiem for Japanese New Wave and he is covering everything, from the sociopolitical changes till his own alienation that he feels as an artist.

Artă (Art) – Venice 71 Orizzonti

A sharp reenacted mockumentary by Adrian Sitaru, that watches from a humorous perspective the rightfulness to abuse people for the sake of art.

TagSwitzerland

Prix Suisse by Jean-Luc Godard

Sauve Qui Peut (La Vie) (Every Man for Himself, 1980)

Adieu au Langage Screenshots

Sauve Qui Peut (La Vie) (Ο Σώζον Εαυτόν Σωθήτω, 1980)

Am Himmel Der Tag (Breaking Horizons) – Torino 30

A Blast – Sarajevo 20

Viharsarok (Land of Storms) – Sarajevo 20

Tôkyô Sensô Sengo Hiwa (The Man Who Left His Will on Film, 1970)

Artă (Art) – Venice 71 Orizzonti

those lacking imagination

Sogni d’Oro (1981)

Chris Marker on time

How to make a bed

Truffaut: Films are like trains