TagSwitzerland

Prix Suisse by Jean-Luc Godard

It's very strange to give a Swiss cinema award, because there is no Swiss Cinema.

Sauve Qui Peut (La Vie) (Every Man for Himself, 1980)

Jean-Luc Godard explores the limits of individualism, apathy and venality as the children of Marx and Coca-Cola grew up.

Adieu au Langage Screenshots

Adieu au Langage Shooting and First Screenshots

Experimental, Politics

Sauve Qui Peut (La Vie) (Ο Σώζον Εαυτόν Σωθήτω, 1980)

Ο Jean-Luc Godard εξερευνά τα όρια του ατομισμού, της απάθειας και της παραδοπιστίας καθώς τα παιδία του Μαρξ και της Coca-Cola μεγάλωσαν.

REVIEWS

Three Windows and a Hanging (Tri Dritare dhe një Varje) – Sarajevo 20

Isa Quosja directs a slow burning drama that is dealing with one of the most delicate and tabu issues in modern post-war Kosovo.

Io e Te (Me and You, 2012)

Bernardo Bertolucci is directing again and his last film Io e Te is an adolescent emotional drama that can still impress the fans of the Italian director.

Krugovi (Circles, 2013)

A heroic act during the Yugoslav war haunts the lives of the heroes. Concentric circles of fate can bring atonement. Directed by Srdan Golubović.

Stachka (Strike, 1925)

The debut feature film by Sergei Eisenstein and the first archetypical example of pure communist propaganda.

The President – Venice 71 Orizzonti

An allegorical political satire by Mohsen Makhmalbaf, that despite the initial absurdity becomes predictable and didactic in a simplistic way.

TagSwitzerland

Prix Suisse by Jean-Luc Godard

Sauve Qui Peut (La Vie) (Every Man for Himself, 1980)

Adieu au Langage Screenshots

Sauve Qui Peut (La Vie) (Ο Σώζον Εαυτόν Σωθήτω, 1980)

Three Windows and a Hanging (Tri Dritare dhe një Varje) – Sarajevo 20

Io e Te (Me and You, 2012)

Krugovi (Circles, 2013)

Stachka (Strike, 1925)

The President – Venice 71 Orizzonti

Leos Carax and his island

But the cinephile is…

Herz Frank on documentarists

those lacking imagination

Francesco Rosi: The cinema of emotions