TagSwitzerland

Prix Suisse by Jean-Luc Godard

It's very strange to give a Swiss cinema award, because there is no Swiss Cinema.

Sauve Qui Peut (La Vie) (Every Man for Himself, 1980)

Jean-Luc Godard explores the limits of individualism, apathy and venality as the children of Marx and Coca-Cola grew up.

Adieu au Langage Screenshots

Adieu au Langage Shooting and First Screenshots

Experimental, Politics

Sauve Qui Peut (La Vie) (Ο Σώζον Εαυτόν Σωθήτω, 1980)

Ο Jean-Luc Godard εξερευνά τα όρια του ατομισμού, της απάθειας και της παραδοπιστίας καθώς τα παιδία του Μαρξ και της Coca-Cola μεγάλωσαν.

REVIEWS

Marionette (2007)

Minos Nikolakakis creates a dark minimalistic tale that comes closer to reality or a dark reality that touches the edges of chilling fantasy.

Antiviral (2012)

Brandon Cronenberg enjoys the affection of current pop culture towards vampirism and builds a medical horror that could easily pass by as his father's work.

Tôkyô Sensô Sengo Hiwa (The Man Who Left His Will on Film, 1970)

Nagisha Ôshima is performing a requiem for Japanese New Wave and he is covering everything, from the sociopolitical changes till his own alienation that he feels as an artist.

Poziția Copilului (Child’s Pose, 2013)

Calin Peter Netzer directs a powerful family drama of characters under Romania's post-communist corrupted society. Golden Bear at the 63rd Berlin Film Festival.

A Quintet – Friend Request – Sarajevo 20

Friend Request is trying to deal in the most detached way with the unsolved and crucial problems that the Middle East faces.

TagSwitzerland

Prix Suisse by Jean-Luc Godard

Sauve Qui Peut (La Vie) (Every Man for Himself, 1980)

Adieu au Langage Screenshots

Sauve Qui Peut (La Vie) (Ο Σώζον Εαυτόν Σωθήτω, 1980)

Marionette (2007)

Antiviral (2012)

Tôkyô Sensô Sengo Hiwa (The Man Who Left His Will on Film, 1970)

Poziția Copilului (Child’s Pose, 2013)

A Quintet – Friend Request – Sarajevo 20

Monicelli: The elements of Italian comedy

Bertolucci – Dreams from the Other Side

Ingmar Bergman in Iceland

Federico Fellini & James Bond

There has always been violence in art