TagSwitzerland

Prix Suisse by Jean-Luc Godard

It's very strange to give a Swiss cinema award, because there is no Swiss Cinema.

Sauve Qui Peut (La Vie) (Every Man for Himself, 1980)

Jean-Luc Godard explores the limits of individualism, apathy and venality as the children of Marx and Coca-Cola grew up.

Adieu au Langage Screenshots

Adieu au Langage Shooting and First Screenshots

Experimental, Politics

Sauve Qui Peut (La Vie) (Ο Σώζον Εαυτόν Σωθήτω, 1980)

Ο Jean-Luc Godard εξερευνά τα όρια του ατομισμού, της απάθειας και της παραδοπιστίας καθώς τα παιδία του Μαρξ και της Coca-Cola μεγάλωσαν.

REVIEWS

Kaigenrei (Coup D’État, 1973)

The third and final film of Yoshishige Yoshida's political trilogy that marked the Japanese New Wave.

A Blast – Sarajevo 20

Syllas Tzoumerkas' sophomore feature is a powerful sociopolitical drama that juxtaposes the cynicism of the troubled Greek society while the middle-class decays internally.

Italian Gangsters – Venice 72 Orizzonti

Renato De Maria creates an unconventional and extremely minimalistic dramatized documentary that explores the most violent thirty-year criminal period of post-war Italy.

A Quintet – Friend Request – Sarajevo 20

Friend Request is trying to deal in the most detached way with the unsolved and crucial problems that the Middle East faces.

Aquarius – Jerusalem 33

In his sophomore film, Kleber Mendonça Filho penetrates Brazilian falsely beautified society through Sônia Braga's stunning performance.

TagSwitzerland

Prix Suisse by Jean-Luc Godard

Sauve Qui Peut (La Vie) (Every Man for Himself, 1980)

Adieu au Langage Screenshots

Sauve Qui Peut (La Vie) (Ο Σώζον Εαυτόν Σωθήτω, 1980)

Kaigenrei (Coup D’État, 1973)

A Blast – Sarajevo 20

Italian Gangsters – Venice 72 Orizzonti

A Quintet – Friend Request – Sarajevo 20

Aquarius – Jerusalem 33

Jodorowsky’s Endless Dream

Leos Carax and his island

Trans-Europ-Express Eroticism

Grandrieux on his films

Jacques Rivette: Should filmmakers see movies?