TagSwitzerland

Prix Suisse by Jean-Luc Godard

It's very strange to give a Swiss cinema award, because there is no Swiss Cinema.

Sauve Qui Peut (La Vie) (Every Man for Himself, 1980)

Jean-Luc Godard explores the limits of individualism, apathy and venality as the children of Marx and Coca-Cola grew up.

Adieu au Langage Screenshots

Adieu au Langage Shooting and First Screenshots

Experimental, Politics

Sauve Qui Peut (La Vie) (Ο Σώζον Εαυτόν Σωθήτω, 1980)

Ο Jean-Luc Godard εξερευνά τα όρια του ατομισμού, της απάθειας και της παραδοπιστίας καθώς τα παιδία του Μαρξ και της Coca-Cola μεγάλωσαν.

REVIEWS

The President – Venice 71 Orizzonti

An allegorical political satire by Mohsen Makhmalbaf, that despite the initial absurdity becomes predictable and didactic in a simplistic way.

Ja Tozhe Hochu (Me Too) – Venice 69 Orizzonti

Alexei Balabanov's last and most personal film. An adaptation on Tarkovsky's Stalker myth set in Balabanov's provocative world.

Tharlo – Venice 72 Orizzonti

Pema Tseden depicts through a visually immaculate and lyrical slow burning film, how rough is to search for your own inner hidden identity.

Poziția Copilului (Child’s Pose, 2013)

Calin Peter Netzer directs a powerful family drama of characters under Romania's post-communist corrupted society. Golden Bear at the 63rd Berlin Film Festival.

Skammen (Shame, 1968)

Ingmar Bergman, in one of his lesser known masterpieces, de-dramatizes a war by transferring all its tragedy to Liv Ullmann, Max von Sydow and inevitably to his audience too.

TagSwitzerland

Prix Suisse by Jean-Luc Godard

Sauve Qui Peut (La Vie) (Every Man for Himself, 1980)

Adieu au Langage Screenshots

Sauve Qui Peut (La Vie) (Ο Σώζον Εαυτόν Σωθήτω, 1980)

The President – Venice 71 Orizzonti

Ja Tozhe Hochu (Me Too) – Venice 69 Orizzonti

Tharlo – Venice 72 Orizzonti

Poziția Copilului (Child’s Pose, 2013)

Skammen (Shame, 1968)

Jodorowsky’s Endless Dream

Monicelli: The elements of Italian comedy

Jodorowsky on filmmaking

Gian Maria Volonté: Ogni film è politico

Antonioni on Vitti