TagSion Sono

Festival News, Trailer, Venice 2013

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Venice 70 Orizzonti – Day #1

The program of the 1st day of the Orizzonti section includes films by Rick Ostermann and Sion Sono.

Festival News, Trailer, Venice 2013

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Venice Web Theatre Returns

Venice Web Theatre covers mainly the Orizzonti (Horizons) section, also the three films-winners of the Biennale College - Cinema will be screened online.

REVIEWS

La Vie Nouvelle (A New Life, 2002)

Philippe Grandrieux offers a multilayered dream-like filmic experience through the most radical experimental film of the recent years.

Monanieba (Repentance, 1984)

Tengiz Abuladze by presenting a grotesque realism with a touch of subcutaneous self-sarcasm managed to bury all the fears that had survived for so many years in the USSR.

Kreditis Limiti (Line of Credit) – Venice 71 Orizzonti

Salomé Alexi is dealing with the sensitive issue of financial crisis in the post-Soviet Georgian society seen from a female point of view.

La Vénus à la Fourrure (Venus in Fur, 2013)

Roman Polanski offers a revamped verbose sadomasochistic experience that manipulates Mathieu Amalric, Emmanuelle Seigner and his audience.

Boy Meets Girl (1984)

The first masterfully structured abstract elegiac work by Leos Carax as he becomes French cinema's most acknowledged enfant terrible.

QUOTES

Kieślowski on his work

You'll rarely find a happy ending in my work.

André Bazin: The Ontology of the Photographic Image

The Ontology of the Photographic Image by André Bazin's Qu'est-ce que le cinéma? (What is Cinema?)

Roberto Rossellini: Camera’s a ballpoint pen

The camera’s a ballpoint pen, an imbecile; it’s not worth anything if you don’t have anything to say.

Trans-Europ-Express Eroticism

These black corsets, these slit skirts, these chains, these popular erotic images that I treated as you say fairly stereotypical belong, I believe, to a collective erotic material

Sogni d’Oro (1981)

Directed by Nanni Moretti