TagSenem Tüzen

Drama, Tallinn 2015, Thessaloniki 2015

Ana Yurdu (Motherland) – Thessaloniki 56 Balkan Survey

Senem Tüzen explores if Motherland could be the place of reconciliation of past and present in an ongoing love-hate relationship between a mother and her daughter.

REVIEWS

Yuri Esposito – Venice 70 Biennale College

This is the kind of comedy film that you should await from an emerging and innovative new director like Alessio Fava.

El Sicario, Room 164 (2010)

Τhe controversial documentary by Gianfranco Rosi. A retired sicario is narrating his experiences working for the Mexican drug cartels.

Suntan – Jerusalem 33

Argyris Papadimitropoulos’ third feature film is a bleak and bittersweet cul-de-sac set under the glaring Aegean sun.

Deniz Gamze Ergüven creates a "joyful" feministic fairytale that explores if teen rebelliousness and sexual awareness can survive in conservative Anatolia. Heart of Sarajevo for Best Feature Film at the 21st Sarajevo Film Festival.

Sauve Qui Peut (La Vie) (Every Man for Himself, 1980)

Jean-Luc Godard explores the limits of individualism, apathy and venality as the children of Marx and Coca-Cola grew up.

TagSenem Tüzen

Ana Yurdu (Motherland) – Thessaloniki 56 Balkan Survey

Yuri Esposito – Venice 70 Biennale College

El Sicario, Room 164 (2010)

Suntan – Jerusalem 33

Mustang – Sarajevo 21

Sauve Qui Peut (La Vie) (Every Man for Himself, 1980)

John Cassavetes: I am here and I don’t know why

Godard on Italian Cinema

Sogni d’Oro (1981)

Kieślowski and the magic of screen

Antonioni on directing