TagSenem Tüzen

Drama, Tallinn 2015, Thessaloniki 2015

Ana Yurdu (Motherland) – Thessaloniki 56 Balkan Survey

Senem Tüzen explores if Motherland could be the place of reconciliation of past and present in an ongoing love-hate relationship between a mother and her daughter.

REVIEWS

Kreditis Limiti (Line of Credit) – Venice 71 Orizzonti

Salomé Alexi is dealing with the sensitive issue of financial crisis in the post-Soviet Georgian society seen from a female point of view.

Su Re (The King) – Torino 30

Giovanni Columbu directs this artful experimental depiction of Jesus of Nazareth's last day on Earth set in Sardinia with amateur local cast.

Krš (Karst) – Sarajevo 21 Documentary

An experimental journey by Vladimir Todorović that explores the inner real identities which emerge in a rough and mountainous Montenegrin landscape.

Tôkyô Sensô Sengo Hiwa (The Man Who Left His Will on Film, 1970)

Nagisha Ôshima is performing a requiem for Japanese New Wave and he is covering everything, from the sociopolitical changes till his own alienation that he feels as an artist.

Italian Gangsters – Venice 72 Orizzonti

Renato De Maria creates an unconventional and extremely minimalistic dramatized documentary that explores the most violent thirty-year criminal period of post-war Italy.

TagSenem Tüzen

Ana Yurdu (Motherland) – Thessaloniki 56 Balkan Survey

Kreditis Limiti (Line of Credit) – Venice 71 Orizzonti

Su Re (The King) – Torino 30

Krš (Karst) – Sarajevo 21 Documentary

Tôkyô Sensô Sengo Hiwa (The Man Who Left His Will on Film, 1970)

Italian Gangsters – Venice 72 Orizzonti

Godard on Italian Cinema

Antonioni on Vitti

Cœur Fidèle vs. Boy Meets Girl

Gian Maria Volonté: Ogni film è politico

Leos Carax and his island