TagSenem Tüzen

Drama, Tallinn 2015, Thessaloniki 2015

Ana Yurdu (Motherland) – Thessaloniki 56 Balkan Survey

Senem Tüzen explores if Motherland could be the place of reconciliation of past and present in an ongoing love-hate relationship between a mother and her daughter.

REVIEWS

Sauve Qui Peut (La Vie) (Every Man for Himself, 1980)

Jean-Luc Godard explores the limits of individualism, apathy and venality as the children of Marx and Coca-Cola grew up.

Turist (Force Majeure, 2014)

Ruben Östlund dismantles the nuclear perfect iconic family as the predominant father figure fails to support his socially imposed gender role.

Artă (Art) – Venice 71 Orizzonti

A sharp reenacted mockumentary by Adrian Sitaru, that watches from a humorous perspective the rightfulness to abuse people for the sake of art.

The Look of Silence – Venice 71

Joshua Oppenheimer's second strikingly profound and captivating documentary looks straight into the horror of Indonesia’s hidden past.

Eyforiya (Euphoria, 2006)

A tragic romantic story set in the immense Russian steppe. A theatrical experience told by Ivan Vyrypaev in pure cinematic language.

TagSenem Tüzen

Ana Yurdu (Motherland) – Thessaloniki 56 Balkan Survey

Sauve Qui Peut (La Vie) (Every Man for Himself, 1980)

Turist (Force Majeure, 2014)

Artă (Art) – Venice 71 Orizzonti

The Look of Silence – Venice 71

Eyforiya (Euphoria, 2006)

Ingmar Bergman on existence

Bertolucci – Dreams from the Other Side

John Cassavetes: I am here and I don’t know why

Pasolini e gli italiani

Kieślowski and the magic of screen