TagSenem Tüzen

Drama, Tallinn 2015, Thessaloniki 2015

Ana Yurdu (Motherland) – Thessaloniki 56 Balkan Survey

Senem Tüzen explores if Motherland could be the place of reconciliation of past and present in an ongoing love-hate relationship between a mother and her daughter.

REVIEWS

Ain’t Them Bodies Saints (2013)

A folk romantic crime saga by the emerging indie Texan filmmaker, David Lowery on the footsteps of Terence Mallick tradition.

The Look of Silence – Venice 71

Joshua Oppenheimer's second strikingly profound and captivating documentary looks straight into the horror of Indonesia’s hidden past.

Antiviral (2012)

Brandon Cronenberg enjoys the affection of current pop culture towards vampirism and builds a medical horror that could easily pass by as his father's work.

Jauja (2014)

Jodorowsky meets Tarkovsky with a touch of Beckettian minimalism in Lisandro Alonso's hypnotic meta-Western that leads Viggo Mortensen into a never-ending journey to a surreal existential void.

Fuoco! (Fire!, 1968)

Gian Vittorio Baldi directs a piece of art that through its consistency can work on political and dramaturgical level without losing its impactful realism.

TagSenem Tüzen

Ana Yurdu (Motherland) – Thessaloniki 56 Balkan Survey

Ain’t Them Bodies Saints (2013)

The Look of Silence – Venice 71

Antiviral (2012)

Jauja (2014)

Fuoco! (Fire!, 1968)

André Bazin: The Ontology of the Photographic Image

John Cassavetes on Art

Kieślowski on his work

John Cassavetes: I am here and I don’t know why

Les Amants Réguliers