TagSenem Tüzen

Drama, Tallinn 2015, Thessaloniki 2015

Ana Yurdu (Motherland) – Thessaloniki 56 Balkan Survey

Senem Tüzen explores if Motherland could be the place of reconciliation of past and present in an ongoing love-hate relationship between a mother and her daughter.

REVIEWS

Tôkyô Sensô Sengo Hiwa (The Man Who Left His Will on Film, 1970)

Nagisha Ôshima is performing a requiem for Japanese New Wave and he is covering everything, from the sociopolitical changes till his own alienation that he feels as an artist.

Magdanas Lurja (Magdana’s Donkey, 1955)

The debut film by Tengiz Abuladze and Rezo Chkheidze is a rural period neorealistic drama set in 19th century Georgia.

Krugovi (Circles, 2013)

A heroic act during the Yugoslav war haunts the lives of the heroes. Concentric circles of fate can bring atonement. Directed by Srdan Golubović.

Stachka (Strike, 1925)

The debut feature film by Sergei Eisenstein and the first archetypical example of pure communist propaganda.

Ruin – Venice 70 Orizzonti

Amiel Courtin-Wilson and Michael Cody direct an almost experimental documentary-like romantic film set in Cambodia. Special Jury Prize of 70th Venice Orizzonti section.

TagSenem Tüzen

Ana Yurdu (Motherland) – Thessaloniki 56 Balkan Survey

Tôkyô Sensô Sengo Hiwa (The Man Who Left His Will on Film, 1970)

Magdanas Lurja (Magdana’s Donkey, 1955)

Krugovi (Circles, 2013)

Stachka (Strike, 1925)

Ruin – Venice 70 Orizzonti

Bertolucci – Dreams from the Other Side

Antonioni on directing

Dziga Vertov’s Eye

I don’t like the word success

Antonioni on Vitti