TagRuben Östlund

Turist (Force Majeure, 2014)

Ruben Östlund dismantles the nuclear perfect iconic family as the predominant father figure fails to support his socially imposed gender role.

REVIEWS

Force of Evil (1948)

Abrahams Polonsky suggests that entrepreneurship is not so far away from criminality and that something is corrupted in the immaculate postwar American society.

I.D. – Torino 30

The debut film by the Indian director Kamal K.M. where the drama of a lost identity meets a bleak thriller in both worlds of modern Mumbai.

Ida (2013)

Paweł Pawlikowski tries to express everything that troubled 60s Poland but his aesthetic austere formalism surpasses the content.

Fuoco! (Fire!, 1968)

Gian Vittorio Baldi directs a piece of art that through its consistency can work on political and dramaturgical level without losing its impactful realism.

Kaigenrei (Coup D’État, 1973)

The third and final film of Yoshishige Yoshida's political trilogy that marked the Japanese New Wave.

TagRuben Östlund

Turist (Force Majeure, 2014)

Force of Evil (1948)

I.D. – Torino 30

Ida (2013)

Fuoco! (Fire!, 1968)

Kaigenrei (Coup D’État, 1973)

Les Amants Réguliers

Jacques Rivette: Should filmmakers see movies?

André Bazin: The Ontology of the Photographic Image

Federico Fellini & James Bond

Je vais au cinéma…