TagNew German Cinema

Exhibition of film posters by Margrit & Peter Sickert

The posters by the graphic designer couple that has formed and created the public image of the New German Cinema.

REVIEWS

Žert (The Joke, 1968)

Possibly the most shattering indictment of totalitarianism to come out of a Communist country - Amos Vogel

Beli, Beli Svet (White, White World, 2010)

A low-voiced drama of characters by Oleg Novković a that follows a theatrical austerity and the dramatic Balkan musicals.

Kreditis Limiti (Line of Credit) – Venice 71 Orizzonti

Salomé Alexi is dealing with the sensitive issue of financial crisis in the post-Soviet Georgian society seen from a female point of view.

Ixcanul Volcano – Berlinale 65

A low key coming-of-age drama that stands between the local Mayan traditions and their bleak impoverished lives. Debut feature film by Jayro Bustamante.

La Vénus à la Fourrure (Venus in Fur, 2013)

Roman Polanski offers a revamped verbose sadomasochistic experience that manipulates Mathieu Amalric, Emmanuelle Seigner and his audience.

TagNew German Cinema

Exhibition of film posters by Margrit & Peter Sickert

Žert (The Joke, 1968)

Beli, Beli Svet (White, White World, 2010)

Kreditis Limiti (Line of Credit) – Venice 71 Orizzonti

Ixcanul Volcano – Berlinale 65

La Vénus à la Fourrure (Venus in Fur, 2013)

Bertolucci – Dreams from the Other Side

But the cinephile is…

Gian Maria Volonté: Ogni film è politico

The Meaning of Cinema by Andrei Tarkovsky

Les Amants Réguliers