TagNagisa Oshima

Tôkyô Sensô Sengo Hiwa (The Man Who Left His Will on Film, 1970)

Nagisha Ôshima is performing a requiem for Japanese New Wave and he is covering everything, from the sociopolitical changes till his own alienation that he feels as an artist.

Politics

Tôkyô Sensô Sengo Hiwa (Ο Άνδρας που Άφησε την Διαθήκη του σε Φιλμ, 1970)

Το ρέκβιεμ που επιφύλασσε ο Nagisa Ôshima στο Ιαπωνικό Νέο Κύμα.

REVIEWS

Aquarius – Jerusalem 33

In his sophomore film, Kleber Mendonça Filho penetrates Brazilian falsely beautified society through Sônia Braga's stunning performance.

Io e Te (Me and You, 2012)

Bernardo Bertolucci is directing again and his last film Io e Te is an adolescent emotional drama that can still impress the fans of the Italian director.

Suntan – Jerusalem 33

Argyris Papadimitropoulos’ third feature film is a bleak and bittersweet cul-de-sac set under the glaring Aegean sun.

Poziția Copilului (Child’s Pose, 2013)

Calin Peter Netzer directs a powerful family drama of characters under Romania's post-communist corrupted society. Golden Bear at the 63rd Berlin Film Festival.

Volchok (Wolfy, 2009)

Vassily Sigarev's debut feature is a raw violent drama of the destructive relationship between a mother and her daughter. A masterpiece of the Russian New Drama.

TagNagisa Oshima

Tôkyô Sensô Sengo Hiwa (The Man Who Left His Will on Film, 1970)

Tôkyô Sensô Sengo Hiwa (Ο Άνδρας που Άφησε την Διαθήκη του σε Φιλμ, 1970)

Aquarius – Jerusalem 33

Io e Te (Me and You, 2012)

Suntan – Jerusalem 33

Poziția Copilului (Child’s Pose, 2013)

Volchok (Wolfy, 2009)

Jafar Panahi: I don’t like political movies.

Jacques Rivette: Should filmmakers see movies?

How to make a bed

Truffaut: Films are like trains

There has always been violence in art