TagMario Monicelli

Monicelli: The elements of Italian comedy

Senza questi elementi, fame, morte, malattia e miseria noi non potremmo far ridere in Italia.

Mario Monicelli

REVIEWS

El Sicario, Room 164 (2010)

Τhe controversial documentary by Gianfranco Rosi. A retired sicario is narrating his experiences working for the Mexican drug cartels.

Sauve Qui Peut (La Vie) (Every Man for Himself, 1980)

Jean-Luc Godard explores the limits of individualism, apathy and venality as the children of Marx and Coca-Cola grew up.

Eastern Boys – Venice 70 Orizzonti

A highly narrative dramatic - romantic film by by Robin Campillo dealing with male prostitution and the trafficking of boys from the Eastern Europe in France. Winner of 70th Venice Orizzonti section.

La Maldad (Evilness) – Berlinale 65 Forum

Mexico's most troubled political period is blended with traces of poetry and Carlos Reygadas' essence, when betrayal surpasses love in Joshua Gil's debut feature film.

Bezúčelná Procházka (Aimless Walk, 1930)

Alexandr Hackenschmied directs the landmark of Czechoslovak avant-garde cinema and one of the most influential of its genre.

TagMario Monicelli

Monicelli: The elements of Italian comedy

El Sicario, Room 164 (2010)

Sauve Qui Peut (La Vie) (Every Man for Himself, 1980)

Eastern Boys – Venice 70 Orizzonti

La Maldad (Evilness) – Berlinale 65 Forum

Bezúčelná Procházka (Aimless Walk, 1930)

TV vs. Cinema by Jean-Luc Godard

Leos Carax and his island

Roberto Rossellini: Camera’s a ballpoint pen

those lacking imagination

Dziga Vertov’s Eye