TagMarie-France Pisier

These black corsets, these slit skirts, these chains, these popular erotic images that I treated as you say fairly stereotypical belong, I believe, to a collective erotic material

Alain Robbe-Grillet

REVIEWS

Bezúčelná Procházka (Aimless Walk, 1930)

Alexandr Hackenschmied directs the landmark of Czechoslovak avant-garde cinema and one of the most influential of its genre.

Krugovi (Circles, 2013)

A heroic act during the Yugoslav war haunts the lives of the heroes. Concentric circles of fate can bring atonement. Directed by Srdan Golubović.

Interruption – Venice 72 Orizzonti

With his directorial debut, Yorgos Zois breaks the fourth wall as he is experimenting on how myth and art interrupt actual life. Or is it the other way around?

Fuoco! (Fire!, 1968)

Gian Vittorio Baldi directs a piece of art that through its consistency can work on political and dramaturgical level without losing its impactful realism.

Mary is Happy, Mary is Happy – Venice 70 Biennale College

Nawapol Thamrongrattanarit creates a truly innovative experimental films set in our digital world. What could happen if a Twitter account feed becomes real?

TagMarie-France Pisier

Trans-Europ-Express Eroticism

Bezúčelná Procházka (Aimless Walk, 1930)

Krugovi (Circles, 2013)

Interruption – Venice 72 Orizzonti

Fuoco! (Fire!, 1968)

Mary is Happy, Mary is Happy – Venice 70 Biennale College

Antonioni on directing

Satyajit Ray on Cinema

Biće Skoro Propast Sveta (It Rains in My Village, 1968)

Jafar Panahi: I don’t like political movies.

Pier Paolo Pasolini – Sesso, consolazione della miseria!