TagMarie-France Pisier

These black corsets, these slit skirts, these chains, these popular erotic images that I treated as you say fairly stereotypical belong, I believe, to a collective erotic material

Alain Robbe-Grillet

REVIEWS

Mary is Happy, Mary is Happy – Venice 70 Biennale College

Nawapol Thamrongrattanarit creates a truly innovative experimental films set in our digital world. What could happen if a Twitter account feed becomes real?

Fuoco! (Fire!, 1968)

Gian Vittorio Baldi directs a piece of art that through its consistency can work on political and dramaturgical level without losing its impactful realism.

Theeb (ذيب) – Venice 71 Orizzonti

A visually impressive and highly emotional coming-of-age film by Naji Abu Nowar, set in the Jordanian desert just before the Arab Revolt. Orizzonti Award for Best Director at the 71st Venice Film Festival.

Ain’t Them Bodies Saints (2013)

A folk romantic crime saga by the emerging indie Texan filmmaker, David Lowery on the footsteps of Terence Mallick tradition.

Eastern Boys – Venice 70 Orizzonti

A highly narrative dramatic - romantic film by by Robin Campillo dealing with male prostitution and the trafficking of boys from the Eastern Europe in France. Winner of 70th Venice Orizzonti section.

TagMarie-France Pisier

Trans-Europ-Express Eroticism

Mary is Happy, Mary is Happy – Venice 70 Biennale College

Fuoco! (Fire!, 1968)

Theeb (ذيب) – Venice 71 Orizzonti

Ain’t Them Bodies Saints (2013)

Eastern Boys – Venice 70 Orizzonti

Jacques Rivette: Should filmmakers see movies?

Jodorowsky on filmmaking

John Cassavetes on Art

Antonioni on directing

those lacking imagination