TagMai Zetterling

No other art medium–neither painting nor poetry–can communicate the specific quality of the dream as well as the film can.

Ingmar Bergman

REVIEWS

Ruin – Venice 70 Orizzonti

Amiel Courtin-Wilson and Michael Cody direct an almost experimental documentary-like romantic film set in Cambodia. Special Jury Prize of 70th Venice Orizzonti section.

Ana Yurdu (Motherland) – Thessaloniki 56 Balkan Survey

Senem Tüzen explores if Motherland could be the place of reconciliation of past and present in an ongoing love-hate relationship between a mother and her daughter.

Hrútar (Rams) – Thessaloniki 56

Grímur Hákonarson creates a wry subtle tragicomedy set in the rural Icelandic landscape that feels exceptionally heart-warming while touches the verges of melancholic sarcasm. Golden Alexander at the 56th Thessaloniki Film Festival.

Mary is Happy, Mary is Happy – Venice 70 Biennale College

Nawapol Thamrongrattanarit creates a truly innovative experimental films set in our digital world. What could happen if a Twitter account feed becomes real?

Až do Mesta Aš (Made in Ash) – Torino 30

Iveta Grófová depicts the bleak life in Bohemia that has gradually become Germany's poor man's Thailand.

TagMai Zetterling

Ingmar Bergman’s Dreams

Ruin – Venice 70 Orizzonti

Ana Yurdu (Motherland) – Thessaloniki 56 Balkan Survey

Hrútar (Rams) – Thessaloniki 56

Mary is Happy, Mary is Happy – Venice 70 Biennale College

Až do Mesta Aš (Made in Ash) – Torino 30

A cinephile’s wish

Béla Tarr on Filmmaking

Jacques Rivette: Should filmmakers see movies?

André Bazin: The Ontology of the Photographic Image

Ingmar Bergman’s Dreams