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TagMai Zetterling

Ingmar Bergman’s Dreams

Ingmar Bergman’s Dreams

No other art medium–neither painting nor poetry–can communicate the specific quality of the dream as well as the film can.

Ingmar Bergman

REVIEWS

El Sicario, Room 164 (2010)

Τhe controversial documentary by Gianfranco Rosi. A retired sicario is narrating his experiences working for the Mexican drug cartels.

Am Himmel Der Tag (Breaking Horizons) – Torino 30

A true contemporary film by Pola Beck which examines real issues that the 20-something generation faces today.

Saul Fia (Son of Saul) – Sarajevo 21

László Nemes masterfully recreates a Holocaust Inferno where you can’t escape and the only way to survive is through death. Special Jury Prize at the 21st Sarajevo Film Festival.

Ida (2013)

Paweł Pawlikowski tries to express everything that troubled 60s Poland but his aesthetic austere formalism surpasses the content.

Valerie a Týden Divů (Valerie and Her Week of Wonders, 1970)

A disturbing surreal erotic horror coming-of-age fairytale of political allegory by Jaromil Jireš marks the end of Czechoslovak New Wave.

QUOTES

Antonioni on directing

When I am shooting a film I never think of how I want to shoot something; I simply shoot it.

Pasolini on Hope

Hope is invented by politicians to keep the electorate happy.

Les Amants Réguliers

You see. We communicate without words. You'd never have believed it.

Chris Marker on time

Who said that time heals all wounds?

Żuławski on pleasing the majority

I don't make a concession to viewers, these victims of life, who think that a film is made only for their enjoyment

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