TagMai Zetterling

No other art medium–neither painting nor poetry–can communicate the specific quality of the dream as well as the film can.

Ingmar Bergman

REVIEWS

Wednesday, May 9 – Venice 72 Orizzonti

In his debut film, Vahid Jalilvand is looking for humanitarian solidarity in today’s Iranian society through the private realistic stories of two women in need.

Io e Te (Me and You, 2012)

Bernardo Bertolucci is directing again and his last film Io e Te is an adolescent emotional drama that can still impress the fans of the Italian director.

Three Windows and a Hanging (Tri Dritare dhe një Varje) – Sarajevo 20

Isa Quosja directs a slow burning drama that is dealing with one of the most delicate and tabu issues in modern post-war Kosovo.

La Maldad (Evilness) – Berlinale 65 Forum

Mexico's most troubled political period is blended with traces of poetry and Carlos Reygadas' essence, when betrayal surpasses love in Joshua Gil's debut feature film.

Gorod Zero (Zero City, 1988)

Kafkaesque absurdity meets Soviet reality during the years of the extremely bureaucratic Perestroika in this deadpan comedy by Karen Shakhnazarov.

TagMai Zetterling

Ingmar Bergman’s Dreams

Wednesday, May 9 – Venice 72 Orizzonti

Io e Te (Me and You, 2012)

Three Windows and a Hanging (Tri Dritare dhe një Varje) – Sarajevo 20

La Maldad (Evilness) – Berlinale 65 Forum

Gorod Zero (Zero City, 1988)

Pasolini e gli italiani

David Cronenberg on Manipulation

Federico Fellini & James Bond

John Cassavetes: I am here and I don’t know why

There has always been violence in art