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TagMai Zetterling

Ingmar Bergman’s Dreams

Ingmar Bergman’s Dreams

No other art medium–neither painting nor poetry–can communicate the specific quality of the dream as well as the film can.

Ingmar Bergman

REVIEWS

Gorod Zero (Zero City, 1988)

Kafkaesque absurdity meets Soviet reality during the years of the extremely bureaucratic Perestroika in this deadpan comedy by Karen Shakhnazarov.

Yuri Esposito – Venice 70 Biennale College

This is the kind of comedy film that you should await from an emerging and innovative new director like Alessio Fava.

Boy Meets Girl (1984)

The first masterfully structured abstract elegiac work by Leos Carax as he becomes French cinema's most acknowledged enfant terrible.

Shell – Torino 30

A slow paced family kitchen sink drama directed by Scott Graham and set in the Scottish highlands. Winner of the 30th Torino Film Festival.

Stachka (Strike, 1925)

The debut feature film by Sergei Eisenstein and the first archetypical example of pure communist propaganda.

QUOTES

Monicelli: The elements of Italian comedy

Senza questi elementi, fame, morte, malattia e miseria noi non potremmo far ridere in Italia.

Introduction to Faces by John Cassavetes

Society must chuck its petty prejudices and false idols and if necessary start again from a new beginning where men as well as women can be kind to themselves.

Antonioni on directing

When I am shooting a film I never think of how I want to shoot something; I simply shoot it.

Kieślowski on his work

You'll rarely find a happy ending in my work.

Kieślowski and the magic of screen

As an audience, you find yourself in a state of tension because you're in a world shown to you by the director.

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