TagMai Zetterling

No other art medium–neither painting nor poetry–can communicate the specific quality of the dream as well as the film can.

Ingmar Bergman

REVIEWS

Konec Agenta W4C (The End of Agent W4C, 1967)

Václav Vorlíček created the first Czechoslovak absurd bond-esque espionage parody that still holds its cult status.

Ana Yurdu (Motherland) – Thessaloniki 56 Balkan Survey

Senem Tüzen explores if Motherland could be the place of reconciliation of past and present in an ongoing love-hate relationship between a mother and her daughter.

Stachka (Strike, 1925)

The debut feature film by Sergei Eisenstein and the first archetypical example of pure communist propaganda.

I.D. – Torino 30

The debut film by the Indian director Kamal K.M. where the drama of a lost identity meets a bleak thriller in both worlds of modern Mumbai.

Volchok (Wolfy, 2009)

Vassily Sigarev's debut feature is a raw violent drama of the destructive relationship between a mother and her daughter. A masterpiece of the Russian New Drama.

TagMai Zetterling

Ingmar Bergman’s Dreams

Konec Agenta W4C (The End of Agent W4C, 1967)

Ana Yurdu (Motherland) – Thessaloniki 56 Balkan Survey

Stachka (Strike, 1925)

I.D. – Torino 30

Volchok (Wolfy, 2009)

Chris Marker on time

Pasolini on Hope

Kieślowski and the magic of screen

André Bazin: The Ontology of the Photographic Image

Pasolini e gli italiani