TagLuis Buñuel

Luís Buñuel – El Náufrago de la Calle Providencia (1970)

Don Luis invites you all for a couple Buñuelonis. Find out his favorite martini and what his friends think of him in this documentary by Arturo Ripstein.

REVIEWS

Monanieba (Repentance, 1984)

Tengiz Abuladze by presenting a grotesque realism with a touch of subcutaneous self-sarcasm managed to bury all the fears that had survived for so many years in the USSR.

Marionette (2007)

Minos Nikolakakis creates a dark minimalistic tale that comes closer to reality or a dark reality that touches the edges of chilling fantasy.

Kaigenrei (Coup D’État, 1973)

The third and final film of Yoshishige Yoshida's political trilogy that marked the Japanese New Wave.

La Vénus à la Fourrure (Venus in Fur, 2013)

Roman Polanski offers a revamped verbose sadomasochistic experience that manipulates Mathieu Amalric, Emmanuelle Seigner and his audience.

Athina Rachel Tsangari tries to find Who’s the Best in General with a deadpan odd satire that dismantles masculinity and makes Greek Weird Wave to go feel-good. Special Jury Mention at the 21st Sarajevo Film Festival.

TagLuis Buñuel

Luís Buñuel – El Náufrago de la Calle Providencia (1970)

Monanieba (Repentance, 1984)

Marionette (2007)

Kaigenrei (Coup D’État, 1973)

La Vénus à la Fourrure (Venus in Fur, 2013)

Chevalier – Sarajevo 21

David Cronenberg on Manipulation

Pier Paolo Pasolini – Sesso, consolazione della miseria!

La Haine vs. Scarface

Ingmar Bergman on existence

Francesco Rosi: The cinema of emotions