TagLuděk Munzar

Žert (The Joke, 1968)

Possibly the most shattering indictment of totalitarianism to come out of a Communist country - Amos Vogel

Žert (Το Αστείο, 1968)

Το πολιτικοποιημένο και απαγορευμένο φιλμ του Jaromil Jireš. Ένα απλό αστείο μπορεί να καταστρέψει τη ζωή σου σε ένα απολυταρχικό καθεστώς.

REVIEWS

Sauve Qui Peut (La Vie) (Every Man for Himself, 1980)

Jean-Luc Godard explores the limits of individualism, apathy and venality as the children of Marx and Coca-Cola grew up.

Ida (2013)

Paweł Pawlikowski tries to express everything that troubled 60s Poland but his aesthetic austere formalism surpasses the content.

A Blast – Sarajevo 20

Syllas Tzoumerkas' sophomore feature is a powerful sociopolitical drama that juxtaposes the cynicism of the troubled Greek society while the middle-class decays internally.

La Vénus à la Fourrure (Venus in Fur, 2013)

Roman Polanski offers a revamped verbose sadomasochistic experience that manipulates Mathieu Amalric, Emmanuelle Seigner and his audience.

El Chacal de Nahueltoro (Jackal of Nahueltoro, 1969)

One of the most important political films not only for Chilean cinema but also for the whole South America directed by Miguel Littín.

TagLuděk Munzar

Žert (The Joke, 1968)

Žert (Το Αστείο, 1968)

Sauve Qui Peut (La Vie) (Every Man for Himself, 1980)

Ida (2013)

A Blast – Sarajevo 20

La Vénus à la Fourrure (Venus in Fur, 2013)

El Chacal de Nahueltoro (Jackal of Nahueltoro, 1969)

Introduction to Faces by John Cassavetes

Ingmar Bergman’s Dreams

André Bazin: The Ontology of the Photographic Image

Godard on Italian Cinema

Żuławski on pleasing the majority