TagLuděk Munzar

Žert (The Joke, 1968)

Possibly the most shattering indictment of totalitarianism to come out of a Communist country - Amos Vogel

Žert (Το Αστείο, 1968)

Το πολιτικοποιημένο και απαγορευμένο φιλμ του Jaromil Jireš. Ένα απλό αστείο μπορεί να καταστρέψει τη ζωή σου σε ένα απολυταρχικό καθεστώς.

REVIEWS

Kaigenrei (Coup D’État, 1973)

The third and final film of Yoshishige Yoshida's political trilogy that marked the Japanese New Wave.

Il Passaggio della Linea (2007)

The debut documentary film of the Italian director Pietro Marcello is a nocturnal train journey collage through the Italian landscape.

Pioneer Heroes (Pionery-geroi) – Berlinale 65 Panorama

The debut feature film by Natalya Kudryashova is a story of broken heroes with destroyed expectations that try to survive in a hostile and unidealistic present.

Ain’t Them Bodies Saints (2013)

A folk romantic crime saga by the emerging indie Texan filmmaker, David Lowery on the footsteps of Terence Mallick tradition.

Hrútar (Rams) – Thessaloniki 56

Grímur Hákonarson creates a wry subtle tragicomedy set in the rural Icelandic landscape that feels exceptionally heart-warming while touches the verges of melancholic sarcasm. Golden Alexander at the 56th Thessaloniki Film Festival.

TagLuděk Munzar

Žert (The Joke, 1968)

Žert (Το Αστείο, 1968)

Kaigenrei (Coup D’État, 1973)

Il Passaggio della Linea (2007)

Pioneer Heroes (Pionery-geroi) – Berlinale 65 Panorama

Ain’t Them Bodies Saints (2013)

Hrútar (Rams) – Thessaloniki 56

TV vs. Cinema by Jean-Luc Godard

Kieślowski on his work

Béla Tarr on Filmmaking

Żuławski on pleasing the majority

Alain Robbe-Grillet: What is Formalism?