TagKrzysztof Kieślowski

For me, success means attaining something I'd really like. That's success.

Krzysztof Kieślowski

As an audience, you find yourself in a state of tension because you're in a world shown to you by the director.

Krzysztof Kieślowski

You'll rarely find a happy ending in my work.

Krzysztof Kieślowski

REVIEWS

Bezúčelná Procházka (Aimless Walk, 1930)

Alexandr Hackenschmied directs the landmark of Czechoslovak avant-garde cinema and one of the most influential of its genre.

Saul Fia (Son of Saul) – Sarajevo 21

László Nemes masterfully recreates a Holocaust Inferno where you can’t escape and the only way to survive is through death. Special Jury Prize at the 21st Sarajevo Film Festival.

Interruption – Venice 72 Orizzonti

With his directorial debut, Yorgos Zois breaks the fourth wall as he is experimenting on how myth and art interrupt actual life. Or is it the other way around?

Gorod Zero (Zero City, 1988)

Kafkaesque absurdity meets Soviet reality during the years of the extremely bureaucratic Perestroika in this deadpan comedy by Karen Shakhnazarov.

Poziția Copilului (Child’s Pose, 2013)

Calin Peter Netzer directs a powerful family drama of characters under Romania's post-communist corrupted society. Golden Bear at the 63rd Berlin Film Festival.

TagKrzysztof Kieślowski

I don’t like the word success

Kieślowski and the magic of screen

Kieślowski on his work

Bezúčelná Procházka (Aimless Walk, 1930)

Saul Fia (Son of Saul) – Sarajevo 21

Interruption – Venice 72 Orizzonti

Gorod Zero (Zero City, 1988)

Poziția Copilului (Child’s Pose, 2013)

Bertolucci – Dreams from the Other Side

those lacking imagination

The ideas of David Lynch

Kieślowski on his work

Jodorowsky’s Endless Dream