TagJosé Isbert

El Verdugo (1963)

Το αριστούργημα του Luis García Berlanga, μία μαύρη πολιτικοκοινωνική κωμωδία που απέφυγε τη λογοκρισία της δικτατορίας του Franco.

REVIEWS

Interruption – Venice 72 Orizzonti

With his directorial debut, Yorgos Zois breaks the fourth wall as he is experimenting on how myth and art interrupt actual life. Or is it the other way around?

L’Apollonide (House of Tolerance, 2011)

Bertrand Bonello's provocative tableau vivant that explores the female sexuality set in a brothel at the turn of the 20th century.

Boy Meets Girl (1984)

The first masterfully structured abstract elegiac work by Leos Carax as he becomes French cinema's most acknowledged enfant terrible.

Tôkyô Sensô Sengo Hiwa (The Man Who Left His Will on Film, 1970)

Nagisha Ôshima is performing a requiem for Japanese New Wave and he is covering everything, from the sociopolitical changes till his own alienation that he feels as an artist.

Kaigenrei (Coup D’État, 1973)

The third and final film of Yoshishige Yoshida's political trilogy that marked the Japanese New Wave.

TagJosé Isbert

El Verdugo (1963)

Interruption – Venice 72 Orizzonti

L’Apollonide (House of Tolerance, 2011)

Boy Meets Girl (1984)

Tôkyô Sensô Sengo Hiwa (The Man Who Left His Will on Film, 1970)

Kaigenrei (Coup D’État, 1973)

Gian Maria Volonté: Ogni film è politico

Antonioni on Vitti

I don’t like the word success

André Bazin: The Ontology of the Photographic Image

Roberto Rossellini: Camera’s a ballpoint pen