TagJohn Cassavetes

Society must chuck its petty prejudices and false idols and if necessary start again from a new beginning where men as well as women can be kind to themselves.

John Cassavetes

I am here and I don’t know why.

John Cassavetes

Art, meaning that we will enjoy ourselves and express ourselves freely.

John Cassavetes

Drama

Faces (Πρόσωπα, 1968)

Ο John Cassavetes αποτυπώνει με ρεαλισμό τις ανθρώπινες σχέσεις, όπως αυτές διαμορφώθηκαν τα τελευταία χρόνια.

REVIEWS

Beli, Beli Svet (White, White World, 2010)

A low-voiced drama of characters by Oleg Novković a that follows a theatrical austerity and the dramatic Balkan musicals.

Über die Jahre (Over the Years) – Sarajevo 21 Documentary

Nikolaus Geyrhalter creates his magnum opus as he observes the financial and personal downfall of the rural post-industrial Austria during an extended 10-year period.

Eastern Boys – Venice 70 Orizzonti

A highly narrative dramatic - romantic film by by Robin Campillo dealing with male prostitution and the trafficking of boys from the Eastern Europe in France. Winner of 70th Venice Orizzonti section.

L’Apollonide (House of Tolerance, 2011)

Bertrand Bonello's provocative tableau vivant that explores the female sexuality set in a brothel at the turn of the 20th century.

A Blast – Sarajevo 20

Syllas Tzoumerkas' sophomore feature is a powerful sociopolitical drama that juxtaposes the cynicism of the troubled Greek society while the middle-class decays internally.

TagJohn Cassavetes

Introduction to Faces by John Cassavetes

John Cassavetes: I am here and I don’t know why

John Cassavetes on Art

Faces (Πρόσωπα, 1968)

Beli, Beli Svet (White, White World, 2010)

Über die Jahre (Over the Years) – Sarajevo 21 Documentary

Eastern Boys – Venice 70 Orizzonti

L’Apollonide (House of Tolerance, 2011)

A Blast – Sarajevo 20

TV vs. Cinema by Jean-Luc Godard

Jacques Rivette: Should filmmakers see movies?

Antonioni on directing

Jodorowsky on filmmaking

Federico Fellini & James Bond