TagJohn Cassavetes

Society must chuck its petty prejudices and false idols and if necessary start again from a new beginning where men as well as women can be kind to themselves.

John Cassavetes

I am here and I don’t know why.

John Cassavetes

Art, meaning that we will enjoy ourselves and express ourselves freely.

John Cassavetes

Drama

Faces (Πρόσωπα, 1968)

Ο John Cassavetes αποτυπώνει με ρεαλισμό τις ανθρώπινες σχέσεις, όπως αυτές διαμορφώθηκαν τα τελευταία χρόνια.

REVIEWS

Le Magnifique (The Magnificent, 1973)

The instant cult French espionage parody by Philippe de Broca with Jean-Paul Belmondo and Jacqueline Bisset.

Über die Jahre (Over the Years) – Sarajevo 21 Documentary

Nikolaus Geyrhalter creates his magnum opus as he observes the financial and personal downfall of the rural post-industrial Austria during an extended 10-year period.

Deniz Gamze Ergüven creates a "joyful" feministic fairytale that explores if teen rebelliousness and sexual awareness can survive in conservative Anatolia. Heart of Sarajevo for Best Feature Film at the 21st Sarajevo Film Festival.

Il Passaggio della Linea (2007)

The debut documentary film of the Italian director Pietro Marcello is a nocturnal train journey collage through the Italian landscape.

Klip (Clip, 2012)

Maja Miloš in her debut film is trying to visualize, through a perverse adolescent love, a without makeup reality that was created in a plastic and fake world.

TagJohn Cassavetes

Introduction to Faces by John Cassavetes

John Cassavetes: I am here and I don’t know why

John Cassavetes on Art

Faces (Πρόσωπα, 1968)

Le Magnifique (The Magnificent, 1973)

Über die Jahre (Over the Years) – Sarajevo 21 Documentary

Mustang – Sarajevo 21

Il Passaggio della Linea (2007)

Klip (Clip, 2012)

Satyajit Ray on Cinema

Kieślowski and the magic of screen

Sogni d’Oro (1981)

Bertolucci – Dreams from the Other Side

Monicelli: The elements of Italian comedy