TagJohn Cassavetes

Society must chuck its petty prejudices and false idols and if necessary start again from a new beginning where men as well as women can be kind to themselves.

John Cassavetes

I am here and I don’t know why.

John Cassavetes

Art, meaning that we will enjoy ourselves and express ourselves freely.

John Cassavetes

Drama

Faces (Πρόσωπα, 1968)

Ο John Cassavetes αποτυπώνει με ρεαλισμό τις ανθρώπινες σχέσεις, όπως αυτές διαμορφώθηκαν τα τελευταία χρόνια.

REVIEWS

El Sicario, Room 164 (2010)

Τhe controversial documentary by Gianfranco Rosi. A retired sicario is narrating his experiences working for the Mexican drug cartels.

Artă (Art) – Venice 71 Orizzonti

A sharp reenacted mockumentary by Adrian Sitaru, that watches from a humorous perspective the rightfulness to abuse people for the sake of art.

The Act of Killing (2012)

Joshua Oppenheimer creates a multilayered documentary that explores the Indonesian massacres by blending fiction with reality, the present with the past and surrealism with true horror.

La Mort de Louis XIV (The Death of Louis XIV) – Jerusalem 33

Albert Serra’s cinema once again reaches the boundaries of experimentalism as he explores the historic figure (and death) of Louis XIV. Wilf Family Foundation Award at the 33rd Jerusalem International Film Festival.

Wednesday, May 9 – Venice 72 Orizzonti

In his debut film, Vahid Jalilvand is looking for humanitarian solidarity in today’s Iranian society through the private realistic stories of two women in need.

TagJohn Cassavetes

Introduction to Faces by John Cassavetes

John Cassavetes: I am here and I don’t know why

John Cassavetes on Art

Faces (Πρόσωπα, 1968)

El Sicario, Room 164 (2010)

Artă (Art) – Venice 71 Orizzonti

The Act of Killing (2012)

La Mort de Louis XIV (The Death of Louis XIV) – Jerusalem 33

Wednesday, May 9 – Venice 72 Orizzonti

those lacking imagination

Monicelli: The elements of Italian comedy

How to make a bed

There has always been violence in art

Béla Tarr on Filmmaking