TagJohn Cassavetes

Society must chuck its petty prejudices and false idols and if necessary start again from a new beginning where men as well as women can be kind to themselves.

John Cassavetes

I am here and I don’t know why.

John Cassavetes

Art, meaning that we will enjoy ourselves and express ourselves freely.

John Cassavetes

Drama

Faces (Πρόσωπα, 1968)

Ο John Cassavetes αποτυπώνει με ρεαλισμό τις ανθρώπινες σχέσεις, όπως αυτές διαμορφώθηκαν τα τελευταία χρόνια.

REVIEWS

Su Re (The King) – Torino 30

Giovanni Columbu directs this artful experimental depiction of Jesus of Nazareth's last day on Earth set in Sardinia with amateur local cast.

Zvizdan (The High Sun) – Thessaloniki 56 Balkan Survey

Dalibor Matanić makes a different post-traumatic approach of the Yugoslav wars as love has to stand in front of any inter-ethnic conflicts.

Valerie a Týden Divů (Valerie and Her Week of Wonders, 1970)

A disturbing surreal erotic horror coming-of-age fairytale of political allegory by Jaromil Jireš marks the end of Czechoslovak New Wave.

Pisma Myortvogo Cheloveka (Letters from a Dead Man, 1986)

Konstantin Lopushansky re-creates the post-apocalyptic terror of a nuclear disaster on Chernobyl's aftermath as a Stalker's flip-side.

Yuri Esposito – Venice 70 Biennale College

This is the kind of comedy film that you should await from an emerging and innovative new director like Alessio Fava.

TagJohn Cassavetes

Introduction to Faces by John Cassavetes

John Cassavetes: I am here and I don’t know why

John Cassavetes on Art

Faces (Πρόσωπα, 1968)

Su Re (The King) – Torino 30

Zvizdan (The High Sun) – Thessaloniki 56 Balkan Survey

Valerie a Týden Divů (Valerie and Her Week of Wonders, 1970)

Pisma Myortvogo Cheloveka (Letters from a Dead Man, 1986)

Yuri Esposito – Venice 70 Biennale College

John Cassavetes: I am here and I don’t know why

Jodorowsky on filmmaking

Ingmar Bergman on existence

Antonioni on Vitti

A cinephile’s wish