TagJohn Cassavetes

Society must chuck its petty prejudices and false idols and if necessary start again from a new beginning where men as well as women can be kind to themselves.

John Cassavetes

I am here and I don’t know why.

John Cassavetes

Art, meaning that we will enjoy ourselves and express ourselves freely.

John Cassavetes

Drama

Faces (Πρόσωπα, 1968)

Ο John Cassavetes αποτυπώνει με ρεαλισμό τις ανθρώπινες σχέσεις, όπως αυτές διαμορφώθηκαν τα τελευταία χρόνια.

REVIEWS

Un Lac (A Lake, 2008)

An excellent example of experimental cinema that touches the verges of lyrical poetic naturalism by Philippe Grandrieux.

Gorod Zero (Zero City, 1988)

Kafkaesque absurdity meets Soviet reality during the years of the extremely bureaucratic Perestroika in this deadpan comedy by Karen Shakhnazarov.

The President – Venice 71 Orizzonti

An allegorical political satire by Mohsen Makhmalbaf, that despite the initial absurdity becomes predictable and didactic in a simplistic way.

Bezúčelná Procházka (Aimless Walk, 1930)

Alexandr Hackenschmied directs the landmark of Czechoslovak avant-garde cinema and one of the most influential of its genre.

Boy Meets Girl (1984)

The first masterfully structured abstract elegiac work by Leos Carax as he becomes French cinema's most acknowledged enfant terrible.

TagJohn Cassavetes

Introduction to Faces by John Cassavetes

John Cassavetes: I am here and I don’t know why

John Cassavetes on Art

Faces (Πρόσωπα, 1968)

Un Lac (A Lake, 2008)

Gorod Zero (Zero City, 1988)

The President – Venice 71 Orizzonti

Bezúčelná Procházka (Aimless Walk, 1930)

Boy Meets Girl (1984)

Bertolucci – Dreams from the Other Side

A cinephile’s wish

David Cronenberg on Manipulation

Godard on Italian Cinema

Gian Maria Volonté: Ogni film è politico