TagJean Epstein

Cœur Fidèle vs. Boy Meets Girl

Jean Epstein’s visual poetic realism meets Leos Carax's abstract elegiac poem

REVIEWS

I.D. – Torino 30

The debut film by the Indian director Kamal K.M. where the drama of a lost identity meets a bleak thriller in both worlds of modern Mumbai.

Viharsarok (Land of Storms) – Sarajevo 20

A deeply emotional and visually impressive drama by Ádám Császi, that exposes the issue of homophobia in modern day Hungary.

Algunas Chicas (Some Girls) – Venice 70 Orizzonti

A rather obscure and off beat thriller by Santiago Palavecino that is set contemporarily in dream and reality.

Tôkyô Sensô Sengo Hiwa (The Man Who Left His Will on Film, 1970)

Nagisha Ôshima is performing a requiem for Japanese New Wave and he is covering everything, from the sociopolitical changes till his own alienation that he feels as an artist.

Až do Mesta Aš (Made in Ash) – Torino 30

Iveta Grófová depicts the bleak life in Bohemia that has gradually become Germany's poor man's Thailand.

TagJean Epstein

Cœur Fidèle vs. Boy Meets Girl

I.D. – Torino 30

Viharsarok (Land of Storms) – Sarajevo 20

Algunas Chicas (Some Girls) – Venice 70 Orizzonti

Tôkyô Sensô Sengo Hiwa (The Man Who Left His Will on Film, 1970)

Až do Mesta Aš (Made in Ash) – Torino 30

The Meaning of Cinema by Andrei Tarkovsky

Roberto Rossellini: Camera’s a ballpoint pen

Introduction to Faces by John Cassavetes

Pasolini e gli italiani

Dziga Vertov’s Eye