TagJean Epstein

Cœur Fidèle vs. Boy Meets Girl

Jean Epstein’s visual poetic realism meets Leos Carax's abstract elegiac poem

REVIEWS

Boi Neon (Neon Bull) – Venice 72 Orizzonti

Gabriel Mascaro observes the social and cultural changes of Brazilian society as genders lose their identities and when a vaquero dreams to be a tailor.

Shell – Torino 30

A slow paced family kitchen sink drama directed by Scott Graham and set in the Scottish highlands. Winner of the 30th Torino Film Festival.

Kreditis Limiti (Line of Credit) – Venice 71 Orizzonti

Salomé Alexi is dealing with the sensitive issue of financial crisis in the post-Soviet Georgian society seen from a female point of view.

El Chacal de Nahueltoro (Jackal of Nahueltoro, 1969)

One of the most important political films not only for Chilean cinema but also for the whole South America directed by Miguel Littín.

The Look of Silence – Venice 71

Joshua Oppenheimer's second strikingly profound and captivating documentary looks straight into the horror of Indonesia’s hidden past.

TagJean Epstein

Cœur Fidèle vs. Boy Meets Girl

Boi Neon (Neon Bull) – Venice 72 Orizzonti

Shell – Torino 30

Kreditis Limiti (Line of Credit) – Venice 71 Orizzonti

El Chacal de Nahueltoro (Jackal of Nahueltoro, 1969)

The Look of Silence – Venice 71

Trans-Europ-Express Eroticism

Leos Carax and his island

Dziga Vertov’s Eye

The Meaning of Cinema by Andrei Tarkovsky

Godard on Italian Cinema