TagIsidora Simijonovic

Drama

Klip (Clip, 2012)

Maja Miloš in her debut film is trying to visualize, through a perverse adolescent love, a without makeup reality that was created in a plastic and fake world.

Drama

Klip (Κλιπ, 2012)

Οι έφηβοι της γενιάς της turbo-folk ζουν σε έναν πλαστικό και ψεύτικο κόσμο με καταχρήσεις, βία και μηχανικό σεξ. Ντεμπούτο της Maja Miloš.

REVIEWS

Jauja (2014)

Jodorowsky meets Tarkovsky with a touch of Beckettian minimalism in Lisandro Alonso's hypnotic meta-Western that leads Viggo Mortensen into a never-ending journey to a surreal existential void.

Wednesday, May 9 – Venice 72 Orizzonti

In his debut film, Vahid Jalilvand is looking for humanitarian solidarity in today’s Iranian society through the private realistic stories of two women in need.

La Vénus à la Fourrure (Venus in Fur, 2013)

Roman Polanski offers a revamped verbose sadomasochistic experience that manipulates Mathieu Amalric, Emmanuelle Seigner and his audience.

Yuri Esposito – Venice 70 Biennale College

This is the kind of comedy film that you should await from an emerging and innovative new director like Alessio Fava.

Pioneer Heroes (Pionery-geroi) – Berlinale 65 Panorama

The debut feature film by Natalya Kudryashova is a story of broken heroes with destroyed expectations that try to survive in a hostile and unidealistic present.

TagIsidora Simijonovic

Klip (Clip, 2012)

Klip (Κλιπ, 2012)

Jauja (2014)

Wednesday, May 9 – Venice 72 Orizzonti

La Vénus à la Fourrure (Venus in Fur, 2013)

Yuri Esposito – Venice 70 Biennale College

Pioneer Heroes (Pionery-geroi) – Berlinale 65 Panorama

Bertolucci – Dreams from the Other Side

Jacques Rivette: Should filmmakers see movies?

Dziga Vertov’s Eye

The ideas of David Lynch

Pasolini on Hope