TagIsabelle Huppert

Sauve Qui Peut (La Vie) (Every Man for Himself, 1980)

Jean-Luc Godard explores the limits of individualism, apathy and venality as the children of Marx and Coca-Cola grew up.

Drama

Amour (2012)

H ταινία-τέλος στην φιλμογραφία του Michael Haneke καθώς ολοκληρώνει τον κύκλο που είχε αρχίσει στην Τριλογία του Συναισθηματικού Πάγου. Χρυσός Φοίνικας στο 65ο Φεστιβάλ των Καννών.

Experimental, Politics

Sauve Qui Peut (La Vie) (Ο Σώζον Εαυτόν Σωθήτω, 1980)

Ο Jean-Luc Godard εξερευνά τα όρια του ατομισμού, της απάθειας και της παραδοπιστίας καθώς τα παιδία του Μαρξ και της Coca-Cola μεγάλωσαν.

REVIEWS

Až do Mesta Aš (Made in Ash) – Torino 30

Iveta Grófová depicts the bleak life in Bohemia that has gradually become Germany's poor man's Thailand.

Artă (Art) – Venice 71 Orizzonti

A sharp reenacted mockumentary by Adrian Sitaru, that watches from a humorous perspective the rightfulness to abuse people for the sake of art.

Tharlo – Venice 72 Orizzonti

Pema Tseden depicts through a visually immaculate and lyrical slow burning film, how rough is to search for your own inner hidden identity.

Piccola Patria (Small Homeland) – Venice 70 Orizzonti

A typical rural kitchen sink drama in the industrialized Italian region of Veneto that now faces the economical crisis. Directed by Alessandro Rossetto.

Ida (2013)

Paweł Pawlikowski tries to express everything that troubled 60s Poland but his aesthetic austere formalism surpasses the content.

TagIsabelle Huppert

Sauve Qui Peut (La Vie) (Every Man for Himself, 1980)

Amour (2012)

Sauve Qui Peut (La Vie) (Ο Σώζον Εαυτόν Σωθήτω, 1980)

Až do Mesta Aš (Made in Ash) – Torino 30

Artă (Art) – Venice 71 Orizzonti

Tharlo – Venice 72 Orizzonti

Piccola Patria (Small Homeland) – Venice 70 Orizzonti

Ida (2013)

Alain Robbe-Grillet: What is Formalism?

Solitudine (1966)

those lacking imagination

Kieślowski and the magic of screen

Ingmar Bergman in Iceland