TagIsabelle Huppert

Sauve Qui Peut (La Vie) (Every Man for Himself, 1980)

Jean-Luc Godard explores the limits of individualism, apathy and venality as the children of Marx and Coca-Cola grew up.

Drama

Amour (2012)

H ταινία-τέλος στην φιλμογραφία του Michael Haneke καθώς ολοκληρώνει τον κύκλο που είχε αρχίσει στην Τριλογία του Συναισθηματικού Πάγου. Χρυσός Φοίνικας στο 65ο Φεστιβάλ των Καννών.

Experimental, Politics

Sauve Qui Peut (La Vie) (Ο Σώζον Εαυτόν Σωθήτω, 1980)

Ο Jean-Luc Godard εξερευνά τα όρια του ατομισμού, της απάθειας και της παραδοπιστίας καθώς τα παιδία του Μαρξ και της Coca-Cola μεγάλωσαν.

REVIEWS

Am Himmel Der Tag (Breaking Horizons) – Torino 30

A true contemporary film by Pola Beck which examines real issues that the 20-something generation faces today.

Pioneer Heroes (Pionery-geroi) – Berlinale 65 Panorama

The debut feature film by Natalya Kudryashova is a story of broken heroes with destroyed expectations that try to survive in a hostile and unidealistic present.

Tharlo – Venice 72 Orizzonti

Pema Tseden depicts through a visually immaculate and lyrical slow burning film, how rough is to search for your own inner hidden identity.

Des Filles en Noir (Young Girls in Black, 2010)

A different coming-of-age drama directed by Jean-Paul Civeyrac and inspired by Heinrich von Kleist's poems.

Klip (Clip, 2012)

Maja Miloš in her debut film is trying to visualize, through a perverse adolescent love, a without makeup reality that was created in a plastic and fake world.

TagIsabelle Huppert

Sauve Qui Peut (La Vie) (Every Man for Himself, 1980)

Amour (2012)

Sauve Qui Peut (La Vie) (Ο Σώζον Εαυτόν Σωθήτω, 1980)

Am Himmel Der Tag (Breaking Horizons) – Torino 30

Pioneer Heroes (Pionery-geroi) – Berlinale 65 Panorama

Tharlo – Venice 72 Orizzonti

Des Filles en Noir (Young Girls in Black, 2010)

Klip (Clip, 2012)

Pasolini on Hope

Antonioni on Vitti

Solitudine (1966)

Żuławski on pleasing the majority

La Haine vs. Scarface