TagIceland

Comedy, Drama, Tallinn 2015, Thessaloniki 2015

Hrútar (Rams) – Thessaloniki 56

Grímur Hákonarson creates a wry subtle tragicomedy set in the rural Icelandic landscape that feels exceptionally heart-warming while touches the verges of melancholic sarcasm. Golden Alexander at the 56th Thessaloniki Film Festival.

Making a film is one of the best forms of strip-tease show that exists.

Ingmar Bergman

REVIEWS

La Vie Nouvelle (A New Life, 2002)

Philippe Grandrieux offers a multilayered dream-like filmic experience through the most radical experimental film of the recent years.

The Act of Killing (2012)

Joshua Oppenheimer creates a multilayered documentary that explores the Indonesian massacres by blending fiction with reality, the present with the past and surrealism with true horror.

Krš (Karst) – Sarajevo 21 Documentary

An experimental journey by Vladimir Todorović that explores the inner real identities which emerge in a rough and mountainous Montenegrin landscape.

L’Apollonide (House of Tolerance, 2011)

Bertrand Bonello's provocative tableau vivant that explores the female sexuality set in a brothel at the turn of the 20th century.

Antiviral (2012)

Brandon Cronenberg enjoys the affection of current pop culture towards vampirism and builds a medical horror that could easily pass by as his father's work.

TagIceland

Hrútar (Rams) – Thessaloniki 56

Ingmar Bergman in Iceland

La Vie Nouvelle (A New Life, 2002)

The Act of Killing (2012)

Krš (Karst) – Sarajevo 21 Documentary

L’Apollonide (House of Tolerance, 2011)

Antiviral (2012)

Godard on Italian Cinema

Je vais au cinéma…

Roberto Rossellini: Camera’s a ballpoint pen

André Bazin: The Ontology of the Photographic Image

I don’t like the word success