TagGudrun Brost

No other art medium–neither painting nor poetry–can communicate the specific quality of the dream as well as the film can.

Ingmar Bergman

REVIEWS

Suntan – Jerusalem 33

Argyris Papadimitropoulos’ third feature film is a bleak and bittersweet cul-de-sac set under the glaring Aegean sun.

La Maldad (Evilness) – Berlinale 65 Forum

Mexico's most troubled political period is blended with traces of poetry and Carlos Reygadas' essence, when betrayal surpasses love in Joshua Gil's debut feature film.

Kreditis Limiti (Line of Credit) – Venice 71 Orizzonti

Salomé Alexi is dealing with the sensitive issue of financial crisis in the post-Soviet Georgian society seen from a female point of view.

The Look of Silence – Venice 71

Joshua Oppenheimer's second strikingly profound and captivating documentary looks straight into the horror of Indonesia’s hidden past.

Hrútar (Rams) – Thessaloniki 56

Grímur Hákonarson creates a wry subtle tragicomedy set in the rural Icelandic landscape that feels exceptionally heart-warming while touches the verges of melancholic sarcasm. Golden Alexander at the 56th Thessaloniki Film Festival.

TagGudrun Brost

Ingmar Bergman’s Dreams

Suntan – Jerusalem 33

La Maldad (Evilness) – Berlinale 65 Forum

Kreditis Limiti (Line of Credit) – Venice 71 Orizzonti

The Look of Silence – Venice 71

Hrútar (Rams) – Thessaloniki 56

Ingmar Bergman’s Dreams

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But the cinephile is…