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TagGudrun Brost

Ingmar Bergman’s Dreams

Ingmar Bergman’s Dreams

No other art medium–neither painting nor poetry–can communicate the specific quality of the dream as well as the film can.

Ingmar Bergman

REVIEWS

Ida (2013)

Paweł Pawlikowski tries to express everything that troubled 60s Poland but his aesthetic austere formalism surpasses the content.

Kreditis Limiti (Line of Credit) – Venice 71 Orizzonti

Salomé Alexi is dealing with the sensitive issue of financial crisis in the post-Soviet Georgian society seen from a female point of view.

Viaje – Sarajevo 21 Kinoscope

Paz Fábrega creates a low-key romantic bittersweet journey where a boy meets a girl as the time runs against them.

Konec Agenta W4C (The End of Agent W4C, 1967)

Václav Vorlíček created the first Czechoslovak absurd bond-esque espionage parody that still holds its cult status.

Tharlo – Venice 72 Orizzonti

Pema Tseden depicts through a visually immaculate and lyrical slow burning film, how rough is to search for your own inner hidden identity.

QUOTES

Roberto Rossellini: Camera’s a ballpoint pen

The camera’s a ballpoint pen, an imbecile; it’s not worth anything if you don’t have anything to say.

Sogni d’Oro (1981)

Directed by Nanni Moretti

Federico Fellini & James Bond

To be completely honest, I must say that I also really like some 007 films.

John Cassavetes on Art

Art, meaning that we will enjoy ourselves and express ourselves freely.

Truffaut: Films are like trains

The films advance as trains, you know? Like trains in the night.

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