TagGudrun Brost

No other art medium–neither painting nor poetry–can communicate the specific quality of the dream as well as the film can.

Ingmar Bergman

REVIEWS

Konec Agenta W4C (The End of Agent W4C, 1967)

Václav Vorlíček created the first Czechoslovak absurd bond-esque espionage parody that still holds its cult status.

Až do Mesta Aš (Made in Ash) – Torino 30

Iveta Grófová depicts the bleak life in Bohemia that has gradually become Germany's poor man's Thailand.

Volchok (Wolfy, 2009)

Vassily Sigarev's debut feature is a raw violent drama of the destructive relationship between a mother and her daughter. A masterpiece of the Russian New Drama.

Ja Tozhe Hochu (Me Too) – Venice 69 Orizzonti

Alexei Balabanov's last and most personal film. An adaptation on Tarkovsky's Stalker myth set in Balabanov's provocative world.

La Vénus à la Fourrure (Venus in Fur, 2013)

Roman Polanski offers a revamped verbose sadomasochistic experience that manipulates Mathieu Amalric, Emmanuelle Seigner and his audience.

TagGudrun Brost

Ingmar Bergman’s Dreams

Konec Agenta W4C (The End of Agent W4C, 1967)

Až do Mesta Aš (Made in Ash) – Torino 30

Volchok (Wolfy, 2009)

Ja Tozhe Hochu (Me Too) – Venice 69 Orizzonti

La Vénus à la Fourrure (Venus in Fur, 2013)

I don’t like the word success

Ingmar Bergman on existence

Pasolini: L’anarchia del potere

André Bazin: The Ontology of the Photographic Image

John Cassavetes on Art