TagGudrun Brost

No other art medium–neither painting nor poetry–can communicate the specific quality of the dream as well as the film can.

Ingmar Bergman

REVIEWS

Ida (2013)

Paweł Pawlikowski tries to express everything that troubled 60s Poland but his aesthetic austere formalism surpasses the content.

A Blast – Sarajevo 20

Syllas Tzoumerkas' sophomore feature is a powerful sociopolitical drama that juxtaposes the cynicism of the troubled Greek society while the middle-class decays internally.

Algunas Chicas (Some Girls) – Venice 70 Orizzonti

A rather obscure and off beat thriller by Santiago Palavecino that is set contemporarily in dream and reality.

Mary is Happy, Mary is Happy – Venice 70 Biennale College

Nawapol Thamrongrattanarit creates a truly innovative experimental films set in our digital world. What could happen if a Twitter account feed becomes real?

Hrútar (Rams) – Thessaloniki 56

Grímur Hákonarson creates a wry subtle tragicomedy set in the rural Icelandic landscape that feels exceptionally heart-warming while touches the verges of melancholic sarcasm. Golden Alexander at the 56th Thessaloniki Film Festival.

TagGudrun Brost

Ingmar Bergman’s Dreams

Ida (2013)

A Blast – Sarajevo 20

Algunas Chicas (Some Girls) – Venice 70 Orizzonti

Mary is Happy, Mary is Happy – Venice 70 Biennale College

Hrútar (Rams) – Thessaloniki 56

Kieślowski on his work

those lacking imagination

Godard on Italian Cinema

The Meaning of Cinema by Andrei Tarkovsky

Biće Skoro Propast Sveta (It Rains in My Village, 1968)