TagGudrun Brost

No other art medium–neither painting nor poetry–can communicate the specific quality of the dream as well as the film can.

Ingmar Bergman

REVIEWS

Artă (Art) – Venice 71 Orizzonti

A sharp reenacted mockumentary by Adrian Sitaru, that watches from a humorous perspective the rightfulness to abuse people for the sake of art.

Tôkyô Sensô Sengo Hiwa (The Man Who Left His Will on Film, 1970)

Nagisha Ôshima is performing a requiem for Japanese New Wave and he is covering everything, from the sociopolitical changes till his own alienation that he feels as an artist.

Boy Meets Girl (1984)

The first masterfully structured abstract elegiac work by Leos Carax as he becomes French cinema's most acknowledged enfant terrible.

Ixcanul Volcano – Berlinale 65

A low key coming-of-age drama that stands between the local Mayan traditions and their bleak impoverished lives. Debut feature film by Jayro Bustamante.

Saul Fia (Son of Saul) – Sarajevo 21

László Nemes masterfully recreates a Holocaust Inferno where you can’t escape and the only way to survive is through death. Special Jury Prize at the 21st Sarajevo Film Festival.

TagGudrun Brost

Ingmar Bergman’s Dreams

Artă (Art) – Venice 71 Orizzonti

Tôkyô Sensô Sengo Hiwa (The Man Who Left His Will on Film, 1970)

Boy Meets Girl (1984)

Ixcanul Volcano – Berlinale 65

Saul Fia (Son of Saul) – Sarajevo 21

Trans-Europ-Express Eroticism

Godard on Italian Cinema

There has always been violence in art

Grandrieux on his films

Introduction to Faces by John Cassavetes