TagGudrun Brost

No other art medium–neither painting nor poetry–can communicate the specific quality of the dream as well as the film can.

Ingmar Bergman

Paweł Pawlikowski tries to express everything that troubled 60s Poland but his aesthetic austere formalism surpasses the content.

Salomé Alexi is dealing with the sensitive issue of financial crisis in the post-Soviet Georgian society seen from a female point of view.

Paz Fábrega creates a low-key romantic bittersweet journey where a boy meets a girl as the time runs against them.

Václav Vorlíček created the first Czechoslovak absurd bond-esque espionage parody that still holds its cult status.

Pema Tseden depicts through a visually immaculate and lyrical slow burning film, how rough is to search for your own inner hidden identity.

Ingmar Bergman’s Dreams