TagDragan Nikolić

Mlad i Zdrav kao Ruža (1971)

Η λογοκριμένη ταινία του Jovan Jovanović είναι μία ασυμβίβαστη ωμή αποδόμηαη του Σοσιαλιστικού Ονείρου στην καρδία του Τιτοκρατούμενου Βελιγραδίου.

REVIEWS

Boi Neon (Neon Bull) – Venice 72 Orizzonti

Gabriel Mascaro observes the social and cultural changes of Brazilian society as genders lose their identities and when a vaquero dreams to be a tailor.

Viharsarok (Land of Storms) – Sarajevo 20

A deeply emotional and visually impressive drama by Ádám Császi, that exposes the issue of homophobia in modern day Hungary.

Ikarie XB-1 (Voyage to the End of the Universe, 1963)

The pioneering Czechoslovak science fiction film by Jindrich Polák, based on Stanislaw Lem's The Magellanic Cloud.

A Pigeon Sat on a Branch Reflecting on Existence – Venice 71

The best finale to Roy Andersson's witty and extremely unpredictable existentialistic Living Trilogy. Golden Lion at the 71st Venice Film Festival.

Skammen (Shame, 1968)

Ingmar Bergman, in one of his lesser known masterpieces, de-dramatizes a war by transferring all its tragedy to Liv Ullmann, Max von Sydow and inevitably to his audience too.

TagDragan Nikolić

Mlad i Zdrav kao Ruža (1971)

Boi Neon (Neon Bull) – Venice 72 Orizzonti

Viharsarok (Land of Storms) – Sarajevo 20

Ikarie XB-1 (Voyage to the End of the Universe, 1963)

A Pigeon Sat on a Branch Reflecting on Existence – Venice 71

Skammen (Shame, 1968)

Ingmar Bergman on existence

Federico Fellini & James Bond

Kieślowski and the magic of screen

Jodorowsky on filmmaking

Jacques Rivette: Should filmmakers see movies?