TagDragan Nikolić

Mlad i Zdrav kao Ruža (1971)

Η λογοκριμένη ταινία του Jovan Jovanović είναι μία ασυμβίβαστη ωμή αποδόμηαη του Σοσιαλιστικού Ονείρου στην καρδία του Τιτοκρατούμενου Βελιγραδίου.

REVIEWS

Poziția Copilului (Child’s Pose, 2013)

Calin Peter Netzer directs a powerful family drama of characters under Romania's post-communist corrupted society. Golden Bear at the 63rd Berlin Film Festival.

Klip (Clip, 2012)

Maja Miloš in her debut film is trying to visualize, through a perverse adolescent love, a without makeup reality that was created in a plastic and fake world.

Saul Fia (Son of Saul) – Sarajevo 21

László Nemes masterfully recreates a Holocaust Inferno where you can’t escape and the only way to survive is through death. Special Jury Prize at the 21st Sarajevo Film Festival.

Bezúčelná Procházka (Aimless Walk, 1930)

Alexandr Hackenschmied directs the landmark of Czechoslovak avant-garde cinema and one of the most influential of its genre.

Boi Neon (Neon Bull) – Venice 72 Orizzonti

Gabriel Mascaro observes the social and cultural changes of Brazilian society as genders lose their identities and when a vaquero dreams to be a tailor.

TagDragan Nikolić

Mlad i Zdrav kao Ruža (1971)

Poziția Copilului (Child’s Pose, 2013)

Klip (Clip, 2012)

Saul Fia (Son of Saul) – Sarajevo 21

Bezúčelná Procházka (Aimless Walk, 1930)

Boi Neon (Neon Bull) – Venice 72 Orizzonti

Ingmar Bergman in Iceland

Francesco Rosi: The cinema of emotions

Kieślowski on his work

André Bazin: The Ontology of the Photographic Image

Ingmar Bergman’s Dreams