TagDalibor Matanić

Drama, Romance, Tallinn 2015, Thessaloniki 2015, War

Zvizdan (The High Sun) – Thessaloniki 56 Balkan Survey

Dalibor Matanić makes a different post-traumatic approach of the Yugoslav wars as love has to stand in front of any inter-ethnic conflicts.

REVIEWS

Sobytie (The Event) – Tallinn 19 Docs

Sergei Loznitsa investigates the events that took place in Leningrad, after a failed coup d’état and marked Soviet Union's end, by creating a grainy prequel of his previous doc, Maidan.

The President – Venice 71 Orizzonti

An allegorical political satire by Mohsen Makhmalbaf, that despite the initial absurdity becomes predictable and didactic in a simplistic way.

Tôkyô Sensô Sengo Hiwa (The Man Who Left His Will on Film, 1970)

Nagisha Ôshima is performing a requiem for Japanese New Wave and he is covering everything, from the sociopolitical changes till his own alienation that he feels as an artist.

A Pigeon Sat on a Branch Reflecting on Existence – Venice 71

The best finale to Roy Andersson's witty and extremely unpredictable existentialistic Living Trilogy. Golden Lion at the 71st Venice Film Festival.

Three Windows and a Hanging (Tri Dritare dhe një Varje) – Sarajevo 20

Isa Quosja directs a slow burning drama that is dealing with one of the most delicate and tabu issues in modern post-war Kosovo.

TagDalibor Matanić

Zvizdan (The High Sun) – Thessaloniki 56 Balkan Survey

Sobytie (The Event) – Tallinn 19 Docs

The President – Venice 71 Orizzonti

Tôkyô Sensô Sengo Hiwa (The Man Who Left His Will on Film, 1970)

A Pigeon Sat on a Branch Reflecting on Existence – Venice 71

Three Windows and a Hanging (Tri Dritare dhe një Varje) – Sarajevo 20

Ingmar Bergman on existence

Francesco Rosi: The cinema of emotions

Pier Paolo Pasolini – Sesso, consolazione della miseria!

Chris Marker on time

Federico Fellini & James Bond