TagDalibor Matanić

Drama, Romance, Tallinn 2015, Thessaloniki 2015, War

Zvizdan (The High Sun) – Thessaloniki 56 Balkan Survey

Dalibor Matanić makes a different post-traumatic approach of the Yugoslav wars as love has to stand in front of any inter-ethnic conflicts.

REVIEWS

Valerie a Týden Divů (Valerie and Her Week of Wonders, 1970)

A disturbing surreal erotic horror coming-of-age fairytale of political allegory by Jaromil Jireš marks the end of Czechoslovak New Wave.

Medeas – Venice 70 Orizzonti

A new approach of the myth of Medea set in the rural countryside of the Southern California, by Andrea Pallaoro.

Klip (Clip, 2012)

Maja Miloš in her debut film is trying to visualize, through a perverse adolescent love, a without makeup reality that was created in a plastic and fake world.

Kreditis Limiti (Line of Credit) – Venice 71 Orizzonti

Salomé Alexi is dealing with the sensitive issue of financial crisis in the post-Soviet Georgian society seen from a female point of view.

Pisma Myortvogo Cheloveka (Letters from a Dead Man, 1986)

Konstantin Lopushansky re-creates the post-apocalyptic terror of a nuclear disaster on Chernobyl's aftermath as a Stalker's flip-side.

TagDalibor Matanić

Zvizdan (The High Sun) – Thessaloniki 56 Balkan Survey

Valerie a Týden Divů (Valerie and Her Week of Wonders, 1970)

Medeas – Venice 70 Orizzonti

Klip (Clip, 2012)

Kreditis Limiti (Line of Credit) – Venice 71 Orizzonti

Pisma Myortvogo Cheloveka (Letters from a Dead Man, 1986)

Pasolini e gli italiani

Jodorowsky on filmmaking

Żuławski on pleasing the majority

Federico Fellini & James Bond

Alain Robbe-Grillet: What is Formalism?