TagDalibor Matanić

Drama, Romance, Tallinn 2015, Thessaloniki 2015, War

Zvizdan (The High Sun) – Thessaloniki 56 Balkan Survey

Dalibor Matanić makes a different post-traumatic approach of the Yugoslav wars as love has to stand in front of any inter-ethnic conflicts.

REVIEWS

Am Himmel Der Tag (Breaking Horizons) – Torino 30

A true contemporary film by Pola Beck which examines real issues that the 20-something generation faces today.

Skammen (Shame, 1968)

Ingmar Bergman, in one of his lesser known masterpieces, de-dramatizes a war by transferring all its tragedy to Liv Ullmann, Max von Sydow and inevitably to his audience too.

Tharlo – Venice 72 Orizzonti

Pema Tseden depicts through a visually immaculate and lyrical slow burning film, how rough is to search for your own inner hidden identity.

Pisma Myortvogo Cheloveka (Letters from a Dead Man, 1986)

Konstantin Lopushansky re-creates the post-apocalyptic terror of a nuclear disaster on Chernobyl's aftermath as a Stalker's flip-side.

L’Apollonide (House of Tolerance, 2011)

Bertrand Bonello's provocative tableau vivant that explores the female sexuality set in a brothel at the turn of the 20th century.

TagDalibor Matanić

Zvizdan (The High Sun) – Thessaloniki 56 Balkan Survey

Am Himmel Der Tag (Breaking Horizons) – Torino 30

Skammen (Shame, 1968)

Tharlo – Venice 72 Orizzonti

Pisma Myortvogo Cheloveka (Letters from a Dead Man, 1986)

L’Apollonide (House of Tolerance, 2011)

Kieślowski and the magic of screen

John Cassavetes on Art

A cinephile’s wish

Biće Skoro Propast Sveta (It Rains in My Village, 1968)

Pasolini: L’anarchia del potere