TagDalibor Matanić

Drama, Romance, Tallinn 2015, Thessaloniki 2015, War

Zvizdan (The High Sun) – Thessaloniki 56 Balkan Survey

Dalibor Matanić makes a different post-traumatic approach of the Yugoslav wars as love has to stand in front of any inter-ethnic conflicts.

REVIEWS

Tharlo – Venice 72 Orizzonti

Pema Tseden depicts through a visually immaculate and lyrical slow burning film, how rough is to search for your own inner hidden identity.

Interruption – Venice 72 Orizzonti

With his directorial debut, Yorgos Zois breaks the fourth wall as he is experimenting on how myth and art interrupt actual life. Or is it the other way around?

Un Lac (A Lake, 2008)

An excellent example of experimental cinema that touches the verges of lyrical poetic naturalism by Philippe Grandrieux.

Theeb (ذيب) – Venice 71 Orizzonti

A visually impressive and highly emotional coming-of-age film by Naji Abu Nowar, set in the Jordanian desert just before the Arab Revolt. Orizzonti Award for Best Director at the 71st Venice Film Festival.

Zvizdan (The High Sun) – Thessaloniki 56 Balkan Survey

Dalibor Matanić makes a different post-traumatic approach of the Yugoslav wars as love has to stand in front of any inter-ethnic conflicts.

TagDalibor Matanić

Zvizdan (The High Sun) – Thessaloniki 56 Balkan Survey

Tharlo – Venice 72 Orizzonti

Interruption – Venice 72 Orizzonti

Un Lac (A Lake, 2008)

Theeb (ذيب) – Venice 71 Orizzonti

Zvizdan (The High Sun) – Thessaloniki 56 Balkan Survey

Jacques Rivette: Should filmmakers see movies?

Ingmar Bergman on existence

Jafar Panahi: I don’t like political movies.

There has always been violence in art

Les Amants Réguliers