TagArgyris Papadimitropoulos

Suntan – Jerusalem 33

Argyris Papadimitropoulos’ third feature film is a bleak and bittersweet cul-de-sac set under the glaring Aegean sun.

Paweł Pawlikowski tries to express everything that troubled 60s Poland but his aesthetic austere formalism surpasses the content.

Konstantin Lopushansky re-creates the post-apocalyptic terror of a nuclear disaster on Chernobyl's aftermath as a Stalker's flip-side.

One of the most important political films not only for Chilean cinema but also for the whole South America directed by Miguel Littín.

The debut documentary film of the Italian director Pietro Marcello is a nocturnal train journey collage through the Italian landscape.

Alexandr Hackenschmied directs the landmark of Czechoslovak avant-garde cinema and one of the most influential of its genre.