TagAnders Ek

No other art medium–neither painting nor poetry–can communicate the specific quality of the dream as well as the film can.

Ingmar Bergman

REVIEWS

Force of Evil (1948)

Abrahams Polonsky suggests that entrepreneurship is not so far away from criminality and that something is corrupted in the immaculate postwar American society.

Zvizdan (The High Sun) – Thessaloniki 56 Balkan Survey

Dalibor Matanić makes a different post-traumatic approach of the Yugoslav wars as love has to stand in front of any inter-ethnic conflicts.

Krš (Karst) – Sarajevo 21 Documentary

An experimental journey by Vladimir Todorović that explores the inner real identities which emerge in a rough and mountainous Montenegrin landscape.

La Vénus à la Fourrure (Venus in Fur, 2013)

Roman Polanski offers a revamped verbose sadomasochistic experience that manipulates Mathieu Amalric, Emmanuelle Seigner and his audience.

Krugovi (Circles, 2013)

A heroic act during the Yugoslav war haunts the lives of the heroes. Concentric circles of fate can bring atonement. Directed by Srdan Golubović.

TagAnders Ek

Ingmar Bergman’s Dreams

Force of Evil (1948)

Zvizdan (The High Sun) – Thessaloniki 56 Balkan Survey

Krš (Karst) – Sarajevo 21 Documentary

La Vénus à la Fourrure (Venus in Fur, 2013)

Krugovi (Circles, 2013)

Introduction to Faces by John Cassavetes

Godard on Italian Cinema

Roberto Rossellini: Camera’s a ballpoint pen

André Bazin: The Ontology of the Photographic Image

Trans-Europ-Express Eroticism