TagAnders Ek

No other art medium–neither painting nor poetry–can communicate the specific quality of the dream as well as the film can.

Ingmar Bergman

REVIEWS

A Blast – Sarajevo 20

Syllas Tzoumerkas' sophomore feature is a powerful sociopolitical drama that juxtaposes the cynicism of the troubled Greek society while the middle-class decays internally.

Mary is Happy, Mary is Happy – Venice 70 Biennale College

Nawapol Thamrongrattanarit creates a truly innovative experimental films set in our digital world. What could happen if a Twitter account feed becomes real?

Pisma Myortvogo Cheloveka (Letters from a Dead Man, 1986)

Konstantin Lopushansky re-creates the post-apocalyptic terror of a nuclear disaster on Chernobyl's aftermath as a Stalker's flip-side.

Saul Fia (Son of Saul) – Sarajevo 21

László Nemes masterfully recreates a Holocaust Inferno where you can’t escape and the only way to survive is through death. Special Jury Prize at the 21st Sarajevo Film Festival.

Io e Te (Me and You, 2012)

Bernardo Bertolucci is directing again and his last film Io e Te is an adolescent emotional drama that can still impress the fans of the Italian director.

TagAnders Ek

Ingmar Bergman’s Dreams

A Blast – Sarajevo 20

Mary is Happy, Mary is Happy – Venice 70 Biennale College

Pisma Myortvogo Cheloveka (Letters from a Dead Man, 1986)

Saul Fia (Son of Saul) – Sarajevo 21

Io e Te (Me and You, 2012)

Béla Tarr on Filmmaking

Je vais au cinéma…

Ingmar Bergman on existence

TV vs. Cinema by Jean-Luc Godard

The ideas of David Lynch