TagAlexandr Hackenschmied

Bezúčelná Procházka (Aimless Walk, 1930)

Alexandr Hackenschmied directs the landmark of Czechoslovak avant-garde cinema and one of the most influential of its genre.

REVIEWS

Beli, Beli Svet (White, White World, 2010)

A low-voiced drama of characters by Oleg Novković a that follows a theatrical austerity and the dramatic Balkan musicals.

Mary is Happy, Mary is Happy – Venice 70 Biennale College

Nawapol Thamrongrattanarit creates a truly innovative experimental films set in our digital world. What could happen if a Twitter account feed becomes real?

El Sicario, Room 164 (2010)

Τhe controversial documentary by Gianfranco Rosi. A retired sicario is narrating his experiences working for the Mexican drug cartels.

La Maldad (Evilness) – Berlinale 65 Forum

Mexico's most troubled political period is blended with traces of poetry and Carlos Reygadas' essence, when betrayal surpasses love in Joshua Gil's debut feature film.

Medeas – Venice 70 Orizzonti

A new approach of the myth of Medea set in the rural countryside of the Southern California, by Andrea Pallaoro.

TagAlexandr Hackenschmied

Bezúčelná Procházka (Aimless Walk, 1930)

Beli, Beli Svet (White, White World, 2010)

Mary is Happy, Mary is Happy – Venice 70 Biennale College

El Sicario, Room 164 (2010)

La Maldad (Evilness) – Berlinale 65 Forum

Medeas – Venice 70 Orizzonti

Antonioni on directing

Introduction to Faces by John Cassavetes

Sogni d’Oro (1981)

Pasolini e gli italiani

Biće Skoro Propast Sveta (It Rains in My Village, 1968)