TagAlexandr Hackenschmied

Bezúčelná Procházka (Aimless Walk, 1930)

Alexandr Hackenschmied directs the landmark of Czechoslovak avant-garde cinema and one of the most influential of its genre.

REVIEWS

La Vie Nouvelle (A New Life, 2002)

Philippe Grandrieux offers a multilayered dream-like filmic experience through the most radical experimental film of the recent years.

Klip (Clip, 2012)

Maja Miloš in her debut film is trying to visualize, through a perverse adolescent love, a without makeup reality that was created in a plastic and fake world.

Kreditis Limiti (Line of Credit) – Venice 71 Orizzonti

Salomé Alexi is dealing with the sensitive issue of financial crisis in the post-Soviet Georgian society seen from a female point of view.

Am Himmel Der Tag (Breaking Horizons) – Torino 30

A true contemporary film by Pola Beck which examines real issues that the 20-something generation faces today.

Tôkyô Sensô Sengo Hiwa (The Man Who Left His Will on Film, 1970)

Nagisha Ôshima is performing a requiem for Japanese New Wave and he is covering everything, from the sociopolitical changes till his own alienation that he feels as an artist.

TagAlexandr Hackenschmied

Bezúčelná Procházka (Aimless Walk, 1930)

La Vie Nouvelle (A New Life, 2002)

Klip (Clip, 2012)

Kreditis Limiti (Line of Credit) – Venice 71 Orizzonti

Am Himmel Der Tag (Breaking Horizons) – Torino 30

Tôkyô Sensô Sengo Hiwa (The Man Who Left His Will on Film, 1970)

There has always been violence in art

Roberto Rossellini: Camera’s a ballpoint pen

Béla Tarr on Filmmaking

Kieślowski and the magic of screen

Ingmar Bergman’s Dreams