TagAditya Assarat

Experimental, Fantasy, Venice 2013

Mary is Happy, Mary is Happy – Venice 70 Biennale College

Nawapol Thamrongrattanarit creates a truly innovative experimental films set in our digital world. What could happen if a Twitter account feed becomes real?

REVIEWS

Pioneer Heroes (Pionery-geroi) – Berlinale 65 Panorama

The debut feature film by Natalya Kudryashova is a story of broken heroes with destroyed expectations that try to survive in a hostile and unidealistic present.

Fuoco! (Fire!, 1968)

Gian Vittorio Baldi directs a piece of art that through its consistency can work on political and dramaturgical level without losing its impactful realism.

Marionette (2007)

Minos Nikolakakis creates a dark minimalistic tale that comes closer to reality or a dark reality that touches the edges of chilling fantasy.

Ruin – Venice 70 Orizzonti

Amiel Courtin-Wilson and Michael Cody direct an almost experimental documentary-like romantic film set in Cambodia. Special Jury Prize of 70th Venice Orizzonti section.

Tôkyô Sensô Sengo Hiwa (The Man Who Left His Will on Film, 1970)

Nagisha Ôshima is performing a requiem for Japanese New Wave and he is covering everything, from the sociopolitical changes till his own alienation that he feels as an artist.

TagAditya Assarat

Mary is Happy, Mary is Happy – Venice 70 Biennale College

Pioneer Heroes (Pionery-geroi) – Berlinale 65 Panorama

Fuoco! (Fire!, 1968)

Marionette (2007)

Ruin – Venice 70 Orizzonti

Tôkyô Sensô Sengo Hiwa (The Man Who Left His Will on Film, 1970)

Chris Marker on time

Pasolini e gli italiani

Jafar Panahi: I don’t like political movies.

Pier Paolo Pasolini – Sesso, consolazione della miseria!

Je vais au cinéma…